Close-ups and long shots in modern Chinese cinemas /

"Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Deppman, Hsiu-Chuang (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu : University of Hawaiʻi Press, [2021]
Temas:
Motion pictures > China > History.
Cinematography > China.
Motion pictures > China.
Cinéma > Chine > Histoire.
Cinéma > Chine.
ART > Film & Video.
Cinematography
Motion pictures
China
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The close-up of Mo Yan and Zhang Yimou : face and text in Red sorghum
  • The art of the close-up in lust, caution : Ang Lee and Eileen Chang
  • Philosophy of the long shot in Hou Hsiao-hsien's The assassin
  • The back shot in Jia Zhangke's I wish I knew
  • Between close-ups and long shots : medium shots in Wei Desheng's Cape no 7.

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