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ReFocus : the films of Pablo Larraín /
Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2020.
|
| Colección: | ReFocus: the international directors series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a ReFocus : the films of Pablo Larraín / |c edited by Laura Hatry. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c 2020. | ||
| 300 | |a 1 online resource (xii, 235 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a ReFocus: the International Directors Series | |
| 500 | |a Description based upon print version of record. | ||
| 520 | |a Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars. | ||
| 505 | 0 | |a An Introduction. Pablo Larraín: Doomed to Repeat It -- 1 A Cracked Gaze: Pablo Larraín's Cultural Context -- 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda -- 3 "Within the Limits of the Possible": Realist Aesthetics in Pablo Larraín's Dictatorship Trilogy -- 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz's Tres Tristes Tigres and Pablo Larraín's Post Mortem -- 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film -- 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín -- 7 Adaptation and the Use of Documentary Material in No -- 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín's No and El Club -- 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters -- 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation -- 11 "When on Stage, I Am Not There, I Am Not That One" An Interview with Alfredo Castro by Arturo Márquez-Gómez. | |
| 504 | |a Includes bibliographical references and index. | ||
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Larraín, Pablo |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Larraín, Pablo. |2 fast |0 (OCoLC)fst01988010 |
| 650 | 0 | |a Motion picture producers and directors |z Chile |v Biography. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Chili |v Biographies. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225 | |
| 651 | 7 | |a Chile. |2 fast |0 (OCoLC)fst01205362 | |
| 655 | 7 | |a Biographies. |2 fast |0 (OCoLC)fst01919896 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Hatry, Laura, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Hatry, Laura |t ReFocus: the Films of Pablo Larraín |d Edinburgh : Edinburgh University Press,c2020 |z 9781474448284 |
| 830 | 0 | |a ReFocus: the international directors series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv182jrcx |z Texto completo |
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