Theorizing film through contemporary art : expanding cinema /

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As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinemat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Murphy, Jill (Editor ), Rascaroli, Laura (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2020.
Colección:Film culture in transition.
Temas:
Art and motion pictures.
Motion pictures > Philosophy.
Art et cinéma.
Cinéma > Philosophie.
Theory of art.
Film theory and criticism.
PERFORMING ARTS > Film & Video > History & Criticism.
Art and motion pictures
Motion pictures > Philosophy
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Table of Contents
  • List of Illustrations
  • Acknowledgments
  • Foreword: Courtesy of the Artists
  • Introduction: On Cinema Expanding
  • Part One Materialities
  • 1 Cinema as (In)Visible Object
  • 2 Objects in Time
  • 3 Materializing the Body of the Actor
  • 4 How to Spell 'Film'
  • Part Two Immaterialities
  • 5 The Magic of Shadows
  • 6 Douglas Gordon and the Gallery of the Mind
  • 7 A Throw of the Dice Will Never Abolish Chance
  • Part Three Temporalities
  • 8 The Photo-Filmic Diorama
  • 9 The Cinematic Dispositif and Its Ghost
  • 10 Time/Frame: On Cinematic Duration
  • Part Four The Futures of the Image
  • 11 Interactivity without Control
  • 12 Post-Cinematic Unframing
  • 13 Absolute Immanence
  • Index

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