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This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today.

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Larsson, Chari (Author)
Format: Electronic eBook
Language:Inglés
Published: [Manchester] : Manchester University Press, [2020]
Subjects:
Didi-Huberman, Georges.
Art historians > France.
Image (Philosophy)
Historiens d'art > France.
Image (Philosophie)
ART / Criticism & Theory
Art historians.
France.
Online Access:Texto completo
Table of Contents:
  • Intro
  • Front matter
  • Cover
  • Half-title
  • Title Page
  • Copyright
  • Table of Contents
  • List of Figures
  • Acknowledgements
  • Introduction
  • Representation and its discontents
  • Notes
  • The archaeological art historian
  • Archaeological critique: mimesis as 'totem-notion'
  • An aesthetics of the symptom
  • Hysterical looking: Freud and Charcot
  • Notes
  • The materiality of images
  • Fra Angelico
  • Dissemblance and presence
  • Notes
  • Timely anachronisms
  • Rethinking temporality
  • Walter Benjamin
  • Aby Warburg
  • Montage
  • Notes
  • The empreinte
  • Simon.Hantaï
  • Empreinte as trace, trace as empreinte
  • Against.Vasari
  • On the liminal status.of.wax
  • The index as vestige
  • Notes
  • Making monsters
  • Son of.Saul
  • Notes
  • Thinking.images
  • Montage as an epistemological.tool
  • Notes
  • Conclusion
  • Notes
  • Bibliography
  • Index

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