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Cracking up : black feminist comedy in the twentieth and twenty-first century United States /

"Cracking Up archives and analyzes Black feminist stand-up comedy in the United States over the past sixty years. Looking closely at the work of Jackie "Moms" Mabley, Mo'Nique, Wanda Sykes, Sasheer Zamata, Sam Jay, Phoebe Robinson, Jessica Williams, and Michelle Buteau, this book...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wood, Katelyn Hale, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Iowa City : University of Iowa Press, [2021]
Colección:Studies in theatre history and culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wood, Katelyn Hale,  |d 1975-  |e author. 
245 1 0 |a Cracking up :  |b black feminist comedy in the twentieth and twenty-first century United States /  |c Katelyn Hale Wood. 
264 1 |a Iowa City :  |b University of Iowa Press,  |c [2021] 
300 |a 1 online resource (x, 191 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Studies in theatre history and culture 
500 |a Based on the author's thesis (doctoral)--University of Texas, 2014. 
504 |a Includes bibliographical references and index. 
505 0 |a Laughter in the Archives: Jackie "Moms" Mabley -- I Love You Bitches Back: Spect-Actors and Affective Freedom in I Coulda Been Your Cellmate! -- The Black Queer Citizenship of Wanda Sykes -- Contemporary Truth-Tellers: A New Cohort of Black Feminist Comics -- Conclusion. 
520 |a "Cracking Up archives and analyzes Black feminist stand-up comedy in the United States over the past sixty years. Looking closely at the work of Jackie "Moms" Mabley, Mo'Nique, Wanda Sykes, Sasheer Zamata, Sam Jay, Phoebe Robinson, Jessica Williams, and Michelle Buteau, this book shows how Black feminist comedy and the laughter it ignites are vital components of feminist, queer, and anti-racist protest. Cracking Up frames theatre and live performance as an important platform from which to examine citizenship in the United States, articulate Black feminist political thought, and subvert structures of power. Author Katelyn Hale Wood interprets these artists not as tokens in their white/male dominated field, but as part of a continuous history of Black feminist performance and presence in the United States. Broadly, the book also champions comedic performance and theatre history as imperative contexts for advancing historical studies of race, gender, and sexuality. From the comedy routines popular on Black vaudeville circuits to stand-up on contemporary social media platforms, Cracking Up excavates an overlooked history of Black women who made the art of joke-telling a key part of radical performance and political engagement"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on May 13, 2021). 
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650 0 |a Stand-up comedy  |x Social aspects  |z United States. 
650 0 |a Stand-up comedy  |x Political aspects  |z United States. 
650 0 |a African American women comedians  |v Biography. 
650 0 |a African American wit and humor  |x History and criticism. 
650 0 |a Feminism  |z United States. 
650 6 |a Monologue comique  |x Aspect social  |z États-Unis. 
650 6 |a Monologue comique  |x Aspect politique  |z États-Unis. 
650 6 |a Femmes comiques noires américaines  |v Biographies. 
650 6 |a Humour noir américain  |x Histoire et critique. 
650 6 |a Féminisme  |z États-Unis. 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 7 |a Stand-up comedy  |x Social aspects  |2 fast 
650 7 |a Stand-up comedy  |x Political aspects  |2 fast 
650 7 |a African American wit and humor  |2 fast 
650 7 |a African American women comedians  |2 fast 
650 7 |a Feminism  |2 fast 
651 7 |a United States  |2 fast 
655 0 |a Electronic books. 
655 7 |a Biographies  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Wood, Katelyn Hale, 1975-  |t Cracking up.  |d Iowa City : University of Iowa Press, 2021  |z 9781609387723  |w (DLC) 2020042470 
830 0 |a Studies in theatre history and culture. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1m0kjnk  |z Texto completo 
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