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Chaucer's prayers : writing Christian and pagan devotion /

A close examination of the prayers in Chaucer's poetry sheds significant new light on his poetic practice. In a culture as steeped in communal, scripted acts of prayer as Chaucer's England, a written prayer asks not only to be read, but to be inhabited: its "I" marks a space that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Murton, Megan E. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : D.S. Brewer, 2020.
Colección:Chaucer studies ; 47.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Chaucer studies,  |x 0261-9822 ;  |v XLVII 
504 |a Includes bibliographical references and index. 
588 0 |a PDF (JSTOR, viewed September 29, 2020). 
505 0 |a Introduction: Prayer as Performance -- Practices of prayer in Late-Medieval England. -- Chapter 1: Praying to Mary. "An ABC to the Virgin": Performance and prevenience -- Marian invocations: Forming readers -- Chapter 2: Praying in Suffering. -- The Man of Law's tale: Explanations and encounters -- The Knight's Tales: Philosophy and petition -- The Franklin's Tale: Devotional uncertainties -- Chapter 3: God of Love and Love of God in Troilus and Criseyde. Praying to love -- Rejoicing in love -- Keeping the faith -- Chapter 4: Praying about Poetry. The Book of the Duchess: The poet as a reader -- The Parliament of Fowls: The poet as a craftsman -- Reader and poet in The House of Fame -- The Retraction: Writing cooperation -- Conclusion: Praying with Chaucer, Performing Chaucer. 
520 |a A close examination of the prayers in Chaucer's poetry sheds significant new light on his poetic practice. In a culture as steeped in communal, scripted acts of prayer as Chaucer's England, a written prayer asks not only to be read, but to be inhabited: its "I" marks a space that readers are invited to occupy. This book examines the implications of accepting that invitation when reading Chaucer's poetry. Both in his often-overlooked pious writings and in his ambitious, innovative pagan narratives, the "I" of prayer provides readers with a subject-position that can be at once devotional and literary - a stance before a deity and a stance in relation to a poem. Chaucer uses this uniquely open, participatory "I" to implicate readers in his poetry and to guide their work of reading. In examining Christian and pagan prayers alongside each other, Chaucer's Prayers cuts across an assumed division between the "religious" and "secular" writings within Chaucer's corpus. Rather, it emphasizes continuities and approaches prayer as part of Chaucer's broader experimentation with literary voice. It also places Chaucer in his devotional context and foregrounds how pious practices intersect with and shape his poetic practices. These insights challenge a received view of Chaucer as an essentially secular poet and shed new light on his poetry's relationship to religion. -- Publisher 
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