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Chican@ artivistas : music, community, and transborder tactics in East Los Angeles /

"Gonzalez's manuscript uses the theoretical underpinnings of Chicana and African-American feminist intellectual history and epistemology to create a new understanding of the work done by Chicana artists and activists (or artivistas) from East Los Angeles from 1995 to the present. Gonzalez...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gonzalez, Martha (Autor)
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2020.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Chican@ artivistas :  |b music, community, and transborder tactics in East Los Angeles /  |c Martha Gonzalez. 
246 3 |a Chicana artivistas 
250 |a First edition. 
264 1 |a Austin :  |b University of Texas Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (x, 168 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
520 |a "Gonzalez's manuscript uses the theoretical underpinnings of Chicana and African-American feminist intellectual history and epistemology to create a new understanding of the work done by Chicana artists and activists (or artivistas) from East Los Angeles from 1995 to the present. Gonzalez is a well-known musician from this community herself and, with this background, is especially focused on the ways the arts, particularly music, have created community engagement. Gonzalez blends her own story as a Mexican immigrant's daughter in California who went on to become a Grammy Award-winning musician (as part of the band Quetzal) into her work as an activist and her career as a scholar"--  |c Provided by publisher 
588 0 |a Print version record; online resource viewed February 15, 2021. 
505 0 |a Acknowledgments -- Introduction -- 1. Music misunderstood -- 2. Chican@ artivistas: resistance to capital market systems and the mind/body split -- 3. The popular resource center and Centro Regeneración in Highland Park -- 4. The Big Frente Zapatista: using art as a tool of critical dialogue -- 5. Fandango jarocho as a decolonial tool -- 6. Los Guardianes de la Convivencia -- Conclusion. Imaginaries: the Grammy and the graduate student -- Notes -- Discography -- Bibliography -- Index. 
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