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Somaesthetic experience and the viewer in Medicean Florence : Renaissance art and political persuasion, 1459-1580 /
Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2020]
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| Colección: | Visual and material culture, 1300-1700 ;
22. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- 1. Activating the Renaissance viewer: art and Somaesthetic experience
- 2. Mobilizing visitors: political persuasion and the Somaesthetics of belonging in the Chapel of the Magi
- 3. Staging gendered authority: Donatello's Judith, Lucrezia Tornabuoni de'Medici's sacra storia, and the Somaesthetics of Justice
- 4. Performing virtual pilgrimage: Somaesthetics and Holy Land Devotion at San Vivaldo
- 5. Playing the printed piazza: Giovanni de'Bardi's Discorso sopra il giouco del calcio fiorentino and Somaesthetic Discipline in Grand-Ducal Florence
- 6. Epilogue: Renaissance Somaesthetics and the digital age.