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The textual condition /
Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the wor...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
c1991.
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| Colección: | Princeton studies in culture/power/history.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a McGann, Jerome J. | |
| 245 | 1 | 4 | |a The textual condition / |c Jerome J. McGann. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c c1991. | ||
| 300 | |a 1 online resource (xiv, 208 p.) | ||
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| 490 | 1 | |a Princeton studies in culture/power/history | |
| 504 | |a Includes bibliographical references (p. 187-201) and index. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Preface -- |t Introduction: Texts and Textualities -- |t Part One: The Garden of Forking Paths -- |t 1. Theory, Literary Pragmatics, and the Editorial Horizon -- |t 2. What Is Critical Editing? -- |t 3. The Socialization of Texts -- |t 4. The Textual Condition -- |t Part Two: Ezra Pound in the Sixth Chamber -- |t 5. How to Read a Book -- |t 6. Pound's Cantos: A Poem Including Bibliography -- |t 7. Beyond the Valley of Production; or, De factorum natura: A Dialogue -- |t Conclusion -- |t Notes -- |t Index |
| 520 | |a Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality. | ||
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