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Worship music and culture : the case of the Songhai of Niger /

"Music is an exciting aspect of African cultures south of the Sahara, abounding in creativity and full of life and movement. Christian worship music was added to the music mix by missionaries from Europe and North America in the nineteenth and twentieth centuries, and it has retained much of it...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: DeValve, John R. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Regnum Books International, [2020]
Colección:Regnum studies in mission.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a DeValve, John R.,  |e author. 
245 1 0 |a Worship music and culture :  |b the case of the Songhai of Niger /  |c John R DeValve. 
246 1 4 |a Worship music & culture 
264 1 |a Oxford :  |b Regnum Books International,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (xii, 217 pages) :  |b color illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Regnum studies in mission 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Historical, cultural, and theoretical foundations. A brief history of the Songhai ; Ethnomusicology ; Songhai music-culture ; Worship, theology, and music ; Protestant Songhai music culture ; Grid/group cultural theory and five historical/cultural influences -- Cultural theory and five Songhai subcultures. Traditional music-culture ; Islamic sub-culture ; The national sub-culture ; The Western/global/modern subculture ; Protestant church subculture -- Application. The five subcultures and change ; Grid/group and the logophonic principle ; Grid/group, identity, and music. 
520 |a "Music is an exciting aspect of African cultures south of the Sahara, abounding in creativity and full of life and movement. Christian worship music was added to the music mix by missionaries from Europe and North America in the nineteenth and twentieth centuries, and it has retained much of its Western flavor. This book is a case study of the African Christian community among the Songhai and its worship music. Drawing on extensive research conducted over a six-year period, the author explains the relationships between music, culture, and worship using the Songhai church as a case study. In the process, he builds a model for further research and experimentation in the worship of other Christian communities. Included in the discussion are insights from the disciplines of ethno- musicology, worship study, anthropology, theology, missiology, and history."--Publisher 
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650 0 |a Church music  |z Niger. 
650 0 |a Songhai (African people)  |z Niger  |x Music  |x History and criticism. 
650 0 |a Songhai (African people)  |z Niger  |x Religion. 
650 0 |a Singing  |x Religious aspects  |x Christianity. 
650 0 |a Singing  |x Social aspects  |z Niger. 
650 0 |a Music  |x Religious aspects. 
651 0 |a Niger  |x Religion. 
650 6 |a Musique d'église  |z Niger. 
650 6 |a Songhaï (Peuple d'Afrique)  |z Niger  |x Musique  |x Histoire et critique. 
650 6 |a Songhaï (Peuple d'Afrique)  |z Niger  |x Religion. 
650 6 |a Chant  |x Aspect religieux  |x Christianisme. 
650 6 |a Chant  |x Aspect social  |z Niger. 
650 6 |a Musique  |x Aspect religieux. 
650 7 |a Songhai (African people)  |2 fast 
650 7 |a Religion  |2 fast 
650 7 |a Music  |x Religious aspects  |2 fast 
651 7 |a Niger  |2 fast 
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830 0 |a Regnum studies in mission. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1v09045  |z Texto completo 
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