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190430s2018 nyui fo d z000 0 eng d |
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|a Kivy, Peter,
|e author.
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245 |
1 |
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|a Authenticities :
|b Philosophical Reflections on Musical Performance /
|c Peter Kivy.
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264 |
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|a Ithaca, NY :
|b Cornell University Press,
|c [2018]
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|c ©1995
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|a 1 online resource :
|b 19 musical examples
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|a text
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|t Frontmatter --
|t Contents --
|t Preface --
|t One: How to Be Authentic --
|t 1. The Concept of Authenticity --
|t 2. Authenticity as Intention --
|t 3. Authenticity as Sound --
|t 4. Authenticity as Practice --
|t 5. The Other Authenticity --
|t Two: Why to Be Authentic --
|t 6. The Authority of Intention --
|t 7. The Authority of Sound --
|t 8. The Authority of Practice --
|t 9. The Other Authority --
|t Bibliography --
|t Index
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|a "In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative."{u2014}Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."{u2014}Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."{u2014}Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."{u2014}British Journal of Aesthetics.
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|a In English.
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|a Available in electronic full text to members of the University via the Library web catalogue.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019).
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|a Includes bibliographical references (pages 287-291) and index.
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Music
|x Philosophy and aesthetics.
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650 |
|
0 |
|a Performance practice (Music)
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650 |
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6 |
|a Pratique de l'exécution (Musique)
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650 |
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6 |
|a Musique
|x Philosophie et esthétique.
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650 |
|
7 |
|a MUSIC / History & Criticism.
|2 bisacsh
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650 |
|
7 |
|a Music
|x Philosophy and aesthetics
|2 fast
|
650 |
|
7 |
|a Performance practice (Music)
|2 fast
|
650 |
|
7 |
|a Aufführung
|2 gnd
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650 |
|
7 |
|a Authentizität
|2 gnd
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|
7 |
|a Musik
|2 gnd
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650 |
|
7 |
|a Musikphilosophie
|2 gnd
|
650 |
1 |
7 |
|a Muziekfilosofie.
|2 gtt
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650 |
1 |
7 |
|a Authenticiteit.
|2 gtt
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650 |
1 |
7 |
|a Uitvoeringspraktijk.
|2 gtt
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776 |
0 |
8 |
|i Print version:
|z 0801430461
|z 9780801430466
|w (DLC) 94036842
|w (OCoLC)31207464
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|a Book collections on Project MUSE.
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv5rf6fn
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