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Dialectics without synthesis Japanese film theory and realism in a global frame /
Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism,...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California
University of California Press
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the |
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| Descripción Física: | 1 online resource (xiii, 233 pages) illustrations |
| Bibliografía: | Includes bibliographical references and index |
| ISBN: | 9780520975903 0520975901 |