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Performance, subjectivity, and experimentation /
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2020.
|
| Colección: | Orpheus Institute series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Performance, subjectivity, and experimentation / |c edited by Catherine Laws. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2020. | |
| 300 | |a 1 online resource (260 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Orpheus Institute series | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Subjectivity in music. | |
| 650 | 6 | |a Subjectivité dans la musique. | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a Subjectivity in music |2 fast |0 (OCoLC)fst01136581 | |
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| 776 | 0 | 8 | |i Print version: |t Performance, subjectivity, and experimentation. |d Leuven : Leuven UP 2020 |z 9789462702318 |w (OCoLC)1151892736 |
| 830 | 0 | |a Orpheus Institute series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvv41431 |z Texto completo |
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| 938 | |a Project MUSE |b MUSE |n musev2_82005 | ||
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