Between market and myth : the Spanish artist novel in the post-transition, 1992-2014 /

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"In its early transition to democracy following Franco's death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in "cultural...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Vater, Katie J. (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Lewisburg, Pennsylvania : Bucknell University Press, 2020.
Collection:Campos ibericos
Sujets:
1900-2099
Spanish fiction > 21st century > History and criticism.
Spanish fiction > 20th century > History and criticism.
Künstlerromane, Spanish > History and criticism.
Artists in literature.
Art in literature.
Roman espagnol > 21e siècle > Histoire et critique.
Roman espagnol > 20e siècle > Histoire et critique.
Artistes dans la littérature.
Art dans la littérature.
LITERARY CRITICISM > General.
LITERARY CRITICISM / General
Künstlerromane, Spanish
Art in literature
Artists in literature
Spanish fiction
Kunst
Literatur
Künstlerroman
Künstler > Motiv
Kunsthistoriker
Spanisch
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • The weight of fame: memory in two contemporary Künstlerromane by Ángeles Caso and Julio Llamazares
  • The postfeminist turn in the artist novel by women: the case of Almudena Grandes, Clara Usón, and Nieves Herrero
  • The art historian as neoliberal subject in Lourdes Ortiz's Las manos de Velázquez and Paloma Díaz-Mas's El sueño de Venecia
  • Affiliation anxiety: avant-garde identity at dOCUMENTA(13) in Enrique Vila-Matas's Kasselno invita la lógic
  • Conclusion.

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