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Acts of dramaturgy : the Shakespeare trilogy /
The three playtexts from the touring project The Trilogy, inspired by Shakespeare, together with essays reflecting on the politics of dramaturgy, authorship, adaptation, text and performance in contemporary theatre. An important and highly original contribution to the growing interest in interdiscip...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect Books,
2020.
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| Colección: | ISSN.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | JSTOR_on1158460568 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 200616s2020 enk ob 000 0 eng d | ||
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| 019 | |a 1159166319 | ||
| 020 | |a 9781789382952 |q (electronic bk.) | ||
| 020 | |a 1789382955 |q (electronic bk.) | ||
| 020 | |a 9781789382969 | ||
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| 020 | |z 9781789382945 | ||
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| 035 | |a (OCoLC)1158460568 |z (OCoLC)1159166319 | ||
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| 072 | 7 | |a ART |x 027000 |2 bisacsh | |
| 082 | 0 | 4 | |a 822.3/3 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Pinchbeck, Michael, |e author. | |
| 245 | 1 | 0 | |a Acts of dramaturgy : |b the Shakespeare trilogy / |c Michael Pinchbeck. |
| 264 | 1 | |a Bristol, UK : |b Intellect Books, |c 2020. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a ISSN | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO; viewed June 22, 2020) | |
| 505 | 0 | |a Front Cover -- Half Title -- Title Page -- Copyright Page -- Table of contents -- Acknowledgements -- Introduction: No Performance Is Left Unwoven -- Part I Shedding -- 1 The Prologue: So Here We Are at the Beginning -- 2 The Foreword: The Time When Anything Could Happen -- Keep everything in the story -- A dot dot dot not a full stop -- Notes -- References -- 3 The Prelude: The (Play)text Is the Set -- The End -- The Beginning -- The Middle -- Notes -- References -- Part II Picking -- 4 On Weaving: Acts of (Auto)dramaturgy -- Introduction -- On weaving -- On shedding -- On picking | |
| 505 | 8 | |a On raveling -- On battening -- On taking up -- Conclusion -- Notes -- References -- 5 The Table Is Set ... -- Notes -- References -- 6 The Beginning -- Part III Raveling -- 7 The Interval -- Part one: come and go -- The interval -- Part two: ebbing and flowing -- Notes -- References -- 8 'Something In Between': Liminality, Ageing and The Middle -- Ageing -- Meta-theatricality -- Memory, performance, reminiscence, theatre -- Between success and failure: limbo and limen -- Notes -- References -- 9 The Middle -- Part IV Battening -- 10 Bear Necessity: The Means to The End | |
| 505 | 8 | |a 'Remember: think bear' (Pinchbeck, The End) -- The beginning, middle and end of Shakespeare -- The beginning of The End -- 'Giving the bear its voice back' (The End) -- Bond's bear -- 'It's about exits/It's about endings/It's about deaths' (The End) -- Notes -- References -- 11 And in The End ... -- 12 The End -- Notes -- Part V Taking up -- 13 The Sum of Its Parts: Memories of The Trilogy from an Inside/Outside Eye -- References -- 14 Endings Are Not Always Completed with a Full Stop -- The preview -- The interview -- The review -- References -- The Epilogue: It's Time to Call It a Day | |
| 505 | 8 | |a Notes on Contributors -- Back Cover | |
| 520 | |a The three playtexts from the touring project The Trilogy, inspired by Shakespeare, together with essays reflecting on the politics of dramaturgy, authorship, adaptation, text and performance in contemporary theatre. An important and highly original contribution to the growing interest in interdisciplinary practice research. 12 col. illus. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Technique. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |0 (OCoLC)fst00029048 |
| 650 | 0 | |a Drama |x Technique. | |
| 650 | 6 | |a Théâtre (Genre littéraire) |x Technique. | |
| 650 | 7 | |a Drama |x Technique |2 fast |0 (OCoLC)fst00897512 | |
| 650 | 7 | |a Technique |2 fast |0 (OCoLC)fst01355129 | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 776 | 0 | 8 | |i Print version: |a Pinchbeck, Michael. |t Acts of Dramaturgy : The Shakespeare Trilogy. |d Bristol : Intellect Books Ltd, ©2020 |z 9781789382945 |
| 830 | 0 | |a ISSN. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xw409 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6226087 | ||
| 938 | |a EBSCOhost |b EBSC |n 2499427 | ||
| 994 | |a 92 |b IZTAP | ||