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Realism and role-play : the human figure in French art from Callot to the brothers Le Nain /
"After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors a...
| Cote: | Libro Electrónico |
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| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Newark, Delaware :
University of Delaware Press,
2020.
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| Collection: | University of Delaware Press studies in 17th- and 18th- century art and culture.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- ch. 1 Making an Entrance: Tupinambas and Burlesque Dancers
- ch. 2 Swaggering Off (Callot I): Actors, Mercenaries, and Duelers
- ch. 3 Marking Nobility: Fanfarons, Pages, and Illustrious Men
- ch. 4 Playing the Strong Woman: Queens and Courtesans
- ch. 5 Covering Shame (Callot II): Dwarves, Beggars, and Criers
- ch. 6 Opening Secrets: Peasants
- Coda: Curtain Call: Watteau's Pierrot.