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Brick city vanguard : Amiri Baraka, Black music, Black modernity /
"Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Br...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amherst :
University of Massachusetts Press,
[2020]
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| Colección: | African American intellectual history.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
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| 008 | 200608s2020 mau ob 001 0 eng d | ||
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| 019 | |a 1284936791 | ||
| 020 | |a 9781613767641 |q (electronic bk.) | ||
| 020 | |a 1613767641 |q (electronic bk.) | ||
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| 072 | 7 | |a SOC |x 001000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 020000 |2 bisacsh | |
| 072 | 7 | |a HIS |x 056000 |2 bisacsh | |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Smethurst, James Edward, |e author. | |
| 245 | 1 | 0 | |a Brick city vanguard : |b Amiri Baraka, Black music, Black modernity / |c James Smethurst. |
| 264 | 1 | |a Amherst : |b University of Massachusetts Press, |c [2020] | |
| 300 | |a 1 online resource (xi, 227 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a African American intellectual history | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Brick City Vanguard -- Chapter One. "That's Where Sarah Vaughan Lives": Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity -- Chapter Two. "Formal Renditions": Revisiting the Baraka-Ellison Debate -- Chapter Three. "A Marching Song for Some Strange Uncharted Country": The Black Future and Amiri Baraka's Liner Notes -- Chapter Four. "Soul and Madness": Baraka's Recorded Music and Poetry from Bohemia to Black Arts | |
| 505 | 8 | |a Chapter Five. "I See Him Sometimes": William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield -- Conclusion: Blues People at Symphony Hall -- Notes -- Index -- About the Author -- Back Cover | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Baraka, Amiri, |d 1934-2014 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Baraka, Amiri, |d 1934-2014 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Baraka, Amiri, |d 1934-2014 |2 fast |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Black nationalism |z United States |x History |y 20th century. | |
| 650 | 6 | |a Nationalisme noir |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a African Americans |x Music |2 fast | |
| 650 | 7 | |a Black nationalism |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Smethurst, James Edward. |t Brick city vanguard. |d Amherst : University of Massachusetts Press, [2020] |z 9781625345141 |w (DLC) 2019044529 |w (OCoLC)1122682153 |
| 830 | 0 | |a African American intellectual history. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv12pntj0 |z Texto completo |
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