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|z (OCoLC)1370505138
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|b JSTOR
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|a e-it---
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|x 004010
|2 bisacsh
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|a 791.43675
|2 23
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|a UAMI
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|a Guarneri, Michael,
|e author.
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|a Vampires in Italian cinema, 1956-1975 /
|c Michael Guarneri.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2020]
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|c ©2020
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO; viewed June 8, 2020)
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|a Intro -- Figures and tables -- Acknowledgements -- Introduction -- PART I THE INDUSTRIAL CONTEXT -- 1. The Italian fi lm industry (1945-1985) -- 2. Italian vampire cinema (1956-1975) -- PART II VAMPIRE SEX AND VAMPIRE GENDER -- 3. Female vampires -- 4. Male vampires -- PART III SANGUINE ECONOMY, BLOODY POLITIC -- 5. Vampires of the late 1950s and early 1960s -- 6. Post-1968 vampires -- Appendix A: Three Italian vampire fi lms that were never made -- Appendix B: Files from the Italian Show Business Bureau fonds -- Bibliography -- Index
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|a Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Vampire films.
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|a Motion pictures, Italian.
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|a Cinéma italien.
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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|a Motion pictures, Italian
|2 fast
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|a Vampire films
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|z 1474458114
|z 9781474458115
|w (OCoLC)1136966513
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv136c54m
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH39244394
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|a ProQuest Ebook Central
|b EBLB
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|a EBSCOhost
|b EBSC
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