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The Italian Opera Libretto and Dubrovnik Theatre : (17th and 18th Century) /

Nowhere in Europe the Italian opera libretto has had such a direct and decisive influence on original national drama production as it did in Dubrovnik during the 17th and 18th century. In the?Golden Age of Croatian Literature?, a hybrid drama genre was created. For more than a century, authors of th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Franić Tomić, Viktoria (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Wien : Hollitzer Wissenschaftsverlag, 2020.
Temas:
Acceso en línea:Texto completo

MARC

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019 |a 1164752277  |a 1180986780 
020 |a 3990127993  |q (electronic book) 
020 |a 9783990127995  |q (electronic book) 
029 1 |a AU@  |b 000067251336 
035 |a (OCoLC)1152136338  |z (OCoLC)1164752277  |z (OCoLC)1180986780 
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049 |a UAMI 
100 1 |a Franić Tomić, Viktoria  |e author. 
245 1 4 |a The Italian Opera Libretto and Dubrovnik Theatre :  |b (17th and 18th Century) /  |c Viktoria Franić Tomić, Slobodan Prosperov Novak, Ennio Stipčević. 
264 1 |a Wien :  |b Hollitzer Wissenschaftsverlag,  |c 2020. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 8 |a Nowhere in Europe the Italian opera libretto has had such a direct and decisive influence on original national drama production as it did in Dubrovnik during the 17th and 18th century. In the?Golden Age of Croatian Literature?, a hybrid drama genre was created. For more than a century, authors of this genre looked attentively at the most important trends of Italian opera production and followed them faithfully. In Croatian literature of the 17th and 18th century, a specific model of libretti without music was created, one that appropriated the Italian libretto. These plays were not performed along with functional music, although sometimes authors and actors would provide instrumental accompaniment to the texts. Nothing more needs to be said for the dissemination and specific reception of Italian opera librettos in Dubrovnik during the 17th and 18th century to be understood as occupying a noteworthy place in the cultural life of Europe. 
588 0 |a Online resource; title from PDF title page (viewed July 06, 2020). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Opera  |z Italy  |x Influence. 
650 0 |a Libretto. 
650 0 |a Music and literature  |z Croatia  |z Dubrovnik  |x History  |y 17th century. 
650 0 |a Music and literature  |z Croatia  |z Dubrovnik  |x History  |y 18th century. 
650 6 |a Opéra  |z Italie  |x Influence. 
650 6 |a Livret (Musique) 
650 6 |a Musique et littérature  |z Croatie  |z Dubrovnik  |x Histoire  |y 17e siècle. 
650 6 |a Musique et littérature  |z Croatie  |z Dubrovnik  |x Histoire  |y 18e siècle. 
650 7 |a Libretto  |2 fast 
650 7 |a Music and literature  |2 fast 
651 7 |a Croatia  |z Dubrovnik  |2 fast 
651 7 |a Italy  |2 fast 
648 7 |a 1600-1799  |2 fast 
655 7 |a History  |2 fast 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11qdw8q  |z Texto completo 
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938 |a YBP Library Services  |b YANK  |n 301242612 
994 |a 92  |b IZTAP