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200417s2020 ohu ob 001 0 eng d |
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|b JSTOR
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|a 791.43/72
|2 23
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|a UAMI
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|a Jordan Peele's Get Out :
|b political horror /
|c edited by Dawn Keetley.
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|a Get out
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|a Columbus :
|b The Ohio State University Press,
|c [2020]
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|c ©2020
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a New suns: race, gender, and sexuality in the speculative
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|a Includes bibliographical references and index.
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|a "Essays explore Get Out's cultural roots, including Shakespeare's Othello, the female gothic, Ira Levin's Rosemary's Baby, The Stepford Wives, and the zombie, rural, suburban, and body-swap subgenres of the modern horror film. Essays make connections with Nat Turner, W.E.B. Du Bois, and James Baldwin"--
|c Provided by publisher
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|a Print version record.
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|a Intro -- Half Title -- Series Title Page -- Title Page -- Copyright Page -- Contents -- Introduction Get Out: Political Horror DAWN KEETLEY -- PART 1: THE POLITICS OF HORROR -- Chapter 1 From Tragedy to Horror: Othello and Get Out JONATHAN BYRON AND TONY PERRELLO -- Chapter 2 Burning Down the House: Get Out and the Female Gothic LINNIE BLAKE -- Chapter 3 A Peaceful Place Denied: Horror Film's "Whitopias" ROBIN R. MEANS COLEMAN AND NOVOTNY LAWRENCE -- Chapter 4 Get Out and the Zombie Film ERIN CASEY-WILLIAMS -- Chapter 5 Place, Space, and the Reconfiguration of "White Trash" Monstrosity BERNICE M. MURPHY -- Chapter 6 The Body Horror of White Second Chances in John Frankenheimer's Seconds and Jordan Peele's Get Out ROBYN CITIZEN -- Chapter 7 Jordan Peele and Ira Levin Go to the Movies: The Black/Jewish Genealogy of Modern Horror's Minority Vocabulary ADAM LOWENSTEIN -- Chapter 8 Racism that Grins: African American Gothic Realism and Systemic Critique SARAH ILOTT -- PART 2: THE HORROR OF POLITICS -- Chapter 9 Reviewing Get Out's Reviews: What Critics Said and How Their Race Mattered TODD K. PLATTS AND DAVID L. BRUNSMA -- Chapter 10 Specters of Slave Revolt SARAH JULIET LAURO -- Chapter 11 Staying Woke in Sunken Places, or the Wages of Double Consciousness MIKAL J. GAINES -- Chapter 12 Holding onto Hulk Hogan: Contending with the Rape of the Black Male Psyche ROBERT LARUE -- Chapter 13 The Horror of the Photographic Eye KYLE BRETT -- Chapter 14 The Fantasy of White Immortality and Black Male Corporeality in James Baldwin's "Going to Meet the Man" and Get Out LAURA THORP -- Chapter 15 Scientific Racism and the Politics of Looking CAYLA McNALLY -- Chapter 16 "Do You Belong in This Neighborhood?" Get Out's Paratexts ALEX SVENSSON -- Cast List -- List of Contributors -- Index -- Series Page.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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1 |
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|a Peele, Jordan,
|d 1979-
|x Criticism and interpretation.
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|a Get out (Motion picture : 2017)
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|a Horror films
|x History and criticism.
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|a Racism in motion pictures.
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|a United States
|x Race relations
|y 21st century.
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|a Films d'horreur
|x Histoire et critique.
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|a Racisme au cinéma.
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|a États-Unis
|x Relations raciales
|y 21e siècle.
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|a SOCIAL SCIENCE / General
|2 bisacsh
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|a Horror films
|2 fast
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|a Race relations
|2 fast
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|a Racism in motion pictures
|2 fast
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|a United States
|2 fast
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|a 2000-2099
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Keetley, Dawn,
|d 1965-
|e editor.
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0 |
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|i Print version:
|t Jordan Peele's Get out.
|d Columbus : The Ohio State University Press, [2020]
|z 9780814214275
|w (DLC) 2019045485
|w (OCoLC)1114276605
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|a New suns: race, gender, and sexuality in the speculative.
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4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.2131182
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37357980
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6157249
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938 |
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|a EBSCOhost
|b EBSC
|n 2396238
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|a YBP Library Services
|b YANK
|n 301167242
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|a 92
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