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|a UAMI
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|a Tobin, Claudia,
|e author.
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|a Modernism and still life :
|b artists, writers, dancers /
|c Claudia Tobin.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2020]
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|c ©2020
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|a 1 online resource (xiv, 240 pages, 16 unnumbered pages of plates) :
|b illustrations (chiefly color)
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|a text
|b txt
|2 rdacontent
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|a still image
|b sti
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Edinburgh critical studies in modernist culture
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|a Includes bibliographical references and index.
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|a Introduction : 'Nothing is really statically at rest' : Cézanne and modern still life -- 'Quivering yet still' : Virginia Woolf, Roger Fry and the aesthetics of attention -- Still life in motion -- 'Past the gap where we cannot see' : still life and the 'numinous' in British painting of the 1920s-1930s -- 'Inactive contemplation' : Wallace Stevens and Charles Mauron -- Conclusion : 'On the very brink of utterance' : Aldous Huxley, Mark Gertler and transfigured things.
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|a The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cézanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D.H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm; an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.
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|a Dr Claudia Tobin is a Leverhulme Early Career Fellow in English at the University of Cambridge. She has held fellowships at the Paul Mellon Centre for British Art and the Huntington Library, California.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Still-life in art.
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|a Still-life in literature.
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|a Movement in literature.
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|a Dance.
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|a Modernism (Art)
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|a Modernism (Literature)
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|a Modernisme (Art)
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|a Modernisme (Littérature)
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|a Nature morte dans l'art.
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|a Danse.
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|a dances (performing arts compositions)
|2 aat
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|a dances (performance events)
|2 aat
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|a dance (performing arts genre)
|2 aat
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|a ART
|x Criticism & Theory.
|2 bisacsh
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|a Dance
|2 fast
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|a Modernism (Art)
|2 fast
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|a Modernism (Literature)
|2 fast
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|a Movement in literature
|2 fast
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|a Still-life in art
|2 fast
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|a Still-life in literature
|2 fast
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|a Avantgarde
|2 gnd
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|a Künste
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|a Stillleben
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|a Tanz
|g Motiv
|2 gnd
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|i Print version:
|a Tobin, Claudia.
|t Modernism and still life.
|d Edinburgh : Edinburgh University Press, [2020]
|z 1474455131
|w (OCoLC)1117560634
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|a Edinburgh critical studies in modernist culture.
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv10kmdqb
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