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|a UAMI
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|a Jorge, Nuno Barradas,
|e author.
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|a The films of Pedro Costa :
|b producing and consuming contemporary art cinema /
|c Nuno Barradas Jorge.
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|a Edinburgh :
|b Edinburgh University Press,
|c 2020.
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|a 1 online resource (ix, 174 pages) :
|b illustrations (black and white)
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|a text
|b txt
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|a online resource
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|a ReFocus. The international directors series
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|a Includes bibliographical references and index.
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|a Print version record.
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|a This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations.
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|a Intro -- Figures -- Acknowledgements -- Introduction -- CHAPTER 1 Cinema's 'Primitive Beauty': Pedro Costa's Artistic Formation and the Making of Blood (1989) -- CHAPTER 2 Negotiating Filmmaking: Adaptation, Location and Docufiction -- CHAPTER 3 Digital Filmmaking at the Interstices -- CHAPTER 4 Critical Reception and the International Film Festival -- CHAPTER 5 Between the Black Box and the White Cube -- CHAPTER 6 Renegotiating Circulation: Retrospectives and DVD Releases -- CHAPTER 7 A 'Document of Documents': Authorship, Intertextuality and Politics in Horse Money (2014) -- Conclusion
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|a JSTOR
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
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|a Costa, Pedro
|x Criticism and interpretation.
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|a Costa, Pedro
|2 fast
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|a PERFORMING ARTS / Film & Video / Direction & Production
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Jorge, Nuno Barradas.
|t Films of Pedro Costa.
|d Edinburgh : Edinburgh University Press, 2020
|z 9781474444538
|w (OCoLC)1144801519
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830 |
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|a ReFocus: the international directors series.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv2f4vq9h
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6145101
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|a EBSCOhost
|b EBSC
|n 2409607
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|a Oxford University Press USA
|b OUPR
|n EDZ0002310397
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|a YBP Library Services
|b YANK
|n 16834489
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