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The content of our caricature : African American comic art and political belonging /

"Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head. Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates h...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wanzo, Rebecca Ann, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2020]
Colección:Postmillennial pop.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Wanzo, Rebecca Ann,  |d 1975-  |e author. 
245 1 4 |a The content of our caricature :  |b African American comic art and political belonging /  |c Rebecca Wanzo. 
264 1 |a New York :  |b New York University Press,  |c [2020] 
300 |a 1 online resource (259 unnumbered pages) :  |b illustrations (some color). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Postmillennial Pop ;  |v 25 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from digital title page (ProQuest Ebook Central, viewed June 17, 2020). 
520 |a "Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head. Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States. Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard 'Grass' Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed."--Publisher description. 
505 0 |a Introduction: A visual grammar of citizenship -- "Impussanations," coons, and civic ideals: a black comics aesthetic -- The revolutionary body: Nat Turner, King, and frozen subjection -- Wearing hero-face: melancholic patriotism in Truth: Red, White, & Black -- "The only thing unAmerican about me is the treatment I get!": Infantile citizenship and the situational grotesque -- Rape and race in the gutter: equal opportunity humor aesthetics and underground comix -- To caricature, with love: a Black Panther coda. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a African American cartoonists. 
650 0 |a African Americans  |v Caricatures and cartoons. 
650 0 |a African Americans  |x Caricatures and cartoons  |x History. 
650 0 |a African Americans in comics. 
650 0 |a Racism in cartoons  |z United States. 
650 0 |a Racism in comics. 
650 0 |a Belonging (Social psychology)  |z United States. 
650 0 |a Belonging (Social psychology) in art. 
650 6 |a Noirs américains  |v Caricatures et dessins humoristiques. 
650 6 |a Racisme dans les dessins humoristiques  |z États-Unis. 
650 6 |a Appartenance (Psychologie sociale)  |z États-Unis. 
650 6 |a Appartenance (Psychologie sociale) dans l'art. 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / African American Studies.  |2 bisacsh 
650 7 |a Racism in comics  |2 fast 
650 7 |a African Americans in comics  |2 fast 
650 7 |a African American cartoonists  |2 fast 
650 7 |a African Americans  |2 fast 
650 7 |a Belonging (Social psychology)  |2 fast 
650 7 |a Belonging (Social psychology) in art  |2 fast 
650 7 |a Racism in cartoons  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Comics criticism  |2 fast 
655 7 |a Caricatures and cartoons  |2 fast 
655 7 |a Comics criticism.  |2 lcgft 
655 7 |a Critiques de bandes dessinées et de romans graphiques.  |2 rvmgf 
776 0 8 |i Print version:  |a Wanzo, Rebecca Ann, 1975-  |t Content of our caricature.  |d New York : New York University Press, 2020  |z 9781479840083  |w (DLC) 2019030821  |w (OCoLC)1120783866 
830 0 |a Postmillennial pop. 
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938 |a De Gruyter  |b DEGR  |n 9781479813636 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL6134171 
938 |a EBSCOhost  |b EBSC  |n 2398584 
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994 |a 92  |b IZTAP