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British music after Britten /
By common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge, Suffolk ; Rochester, NY :
The Boydell Press,
2020.
|
| Colección: | Aldeburgh studies in music ;
v. 14. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Britten and British music
- Tippett and twentieth-century polarities
- A voyage beyond romance : the music of Nicholas Maw
- Connections and constellations : Robin Holloway and Brian Ferneyhough
- Richard Barrett, Cornelius Cardew : resistance and reflection
- Shock waves : the musical elements of James Dillon
- Northern roots : John Casken, Hugh Wood, John McCabe
- Affirmative anger : James Clarke and the music of abstract expressionism
- Distressed surfaces : Morgan Hayes and twenty-first-century expressionism
- 'Into the breach' : Oliver Knussen in his time
- Rotations and reflections : the musical presence of George Benjamin
- Michael Finnissy's instrumental music drama
- The public and the personal : Birtwistle and Maxwell Davies at 80
- Measures of authenticity : the macrotonal music of Julian Anderson
- From post-tonal to postmodern? : two string quartets by Joseph Phibbs
- The Ades effect
- Power, potential : Robert Simpson, Mark Simpson
- Michael Tippett and the modern musical citizen.