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Affective intensities and evolving horror forms : from found footage to virtual reality /
"Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage, ' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of specta...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Daniel, Adam, |e author. | |
| 245 | 1 | 0 | |a Affective intensities and evolving horror forms : |b from found footage to virtual reality / |c Adam Daniel. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2020] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a List of figures -- Acknowledgments -- Introduction -- 1. From the semantic to the somatic: affective engagement with horror cinema -- 2. From identification to embodied spectatorship in the found footage horror film -- 3. Camera supernaturalis -- 4. Perception and point of view in the found footage horror film: new understandings via Deleuze's perception-image -- 5. Horrific entwinement: affective neuroscience and the body of the horror spectator -- 6. What hides behind the stream: post-cinematic hauntings of the digital -- 7. The evolving screen forms of new media horror -- 8. The embodied player of horror video games -- 9. The spectator-interactor of virtual reality horror -- Conclusion -- Bibliography -- Index. | |
| 520 | |a "Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage, ' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation and new media forms such as Youtube horror and virtual reality horror."-- |c Publisher description | ||
| 588 | 0 | |a Print version record; online resource viewed June 3, 2021. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Horror television programs |x History and criticism. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Émissions d'horreur télévisées |x Histoire et critique. | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Horror television programs |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 1474456359 |z 9781474456357 |w (OCoLC)1117566366 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvxcrx98 |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 20360100 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37324387 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6154203 | ||
| 938 | |a EBSCOhost |b EBSC |n 2398446 | ||
| 938 | |a YBP Library Services |b YANK |n 16669386 | ||
| 994 | |a 92 |b IZTAP | ||