Picturing worlds : visuality and visual sovereignty in contemporary Anishinaabe literature /

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"Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Stirrup, David (Author)
Format: Electronic eBook
Language:Inglés
Published: East Lansing : Michigan State University Press, [2020]
Series:American Indian studies series
Subjects:
Material culture in literature.
Visual perception in literature.
Ojibwa literature > History and criticism.
Culture matérielle dans la littérature.
Perception visuelle dans la littérature.
Littérature ojibwa > Histoire et critique.
LITERARY CRITICISM / General
Material culture in literature
Ojibwa literature
Visual perception in literature
Criticism, interpretation, etc.
Online Access:Texto completo
Table of Contents:
  • Intro
  • Contents
  • Acknowledgments
  • Introduction
  • Chapter 1. An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft
  • Chapter 2. X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics
  • Chapter 3. Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People
  • Chapter 4. Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich
  • Chapter 5. So, How Can You Hear Stones and Pictures? Gerald Vizenor's Imagic Returns
  • Chapter 6. Performance, Resistance: Countering the indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama
  • Conclusion
  • Notes
  • Bibliography
  • Index

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