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Picturing worlds : visuality and visual sovereignty in contemporary Anishinaabe literature /

"Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stirrup, David (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: East Lansing : Michigan State University Press, [2020]
Colección:American Indian studies series
Temas:
Acceso en línea:Texto completo

MARC

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264 1 |a East Lansing :  |b Michigan State University Press,  |c [2020] 
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505 0 |a Intro -- Contents -- Acknowledgments -- Introduction -- Chapter 1. An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft -- Chapter 2. X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics -- Chapter 3. Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People -- Chapter 4. Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich 
505 8 |a Chapter 5. So, How Can You Hear Stones and Pictures? Gerald Vizenor's Imagic Returns -- Chapter 6. Performance, Resistance: Countering the indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama -- Conclusion -- Notes -- Bibliography -- Index 
520 |a "Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--  |c Provided by publisher. 
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650 7 |a Visual perception in literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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