Quinqui film in Spain : peripheries of society and myths on the margins /

This book analyzes the mythical aura of Spanish low-budget films of the late 1970s and 1980s, and how marginalization was exploited and romanticized.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: González del Pozo, Jorge (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Español
Publicado: London : Anthem Press, [2020]
Temas:
1900-1999
Juvenile delinquency films > Spain > History and criticism.
Motion pictures > Spain > History > 20th century.
Films de délinquance juvénile > Espagne > Histoire et critique.
Cinéma > Espagne > Histoire > 20e siècle.
ART > Film & Video.
Juvenile delinquency films.
Motion pictures.
Spain.
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Contents
  • Prologue: Rehearsing Circles
  • Introduction: Quinqui Film as a Reflection of the Transition, Illusions and Shadows of the Great Change
  • Notes
  • Works Cited
  • Cinema on the Margin: Reflection on the Quinqui Filmography by Eloy de la Iglesia
  • Cinema on the Margin
  • From Context to Text
  • The Theme of the Films
  • Juvenile delinquency
  • Friendship
  • The drug
  • Unemployment
  • The family
  • Homosexuality
  • Prostitution
  • Corruption
  • Treatment of Themes
  • Notes
  • Works Cited
  • Heroes and Antiheroes ... from the Neighborhood: The History of Postmodern Robin Hoods
  • Quinqui Cinema-Social Cinema
  • The History of the Postmodern Robin Hood: The Mythologization of the Outlaw
  • Works Cited
  • The Repercussion of Deprisa, Deprisa in the National Press
  • The Berlin Festival and the Consolidation of Quinqui Film
  • Deprisa, deprisa in the Press
  • Deprisa, deprisa: Two Worlds Collide
  • Life Is Not the Same
  • Works Cited
  • Siete Virgenes: Quinquis for the New Millennium
  • Quinquis on the Loose
  • Identity in Genre Cinema Produced in Spain
  • Alberto Rodríguez
  • Siete Vírgenes
  • The Time of the Quinqui
  • The Quinqui Virgins
  • The Force of Destiny
  • A Realistic Filmmaker
  • Works Cited
  • Margin, Marginality and DELINQUIENCY in the Quinqui Space: From Nomadism to the PERIPHERY of Volando Voy by Miguel Albaladejo
  • Quinquis, Cinema and "El Pera"
  • Definition, Origin and Evolution of the Quinqui
  • Quinqui Cinema
  • The Return of the Quinquis: Volando Voy
  • Spatial Otherness and Redemption
  • The Margin, Marginality, the Individual and Salvation
  • Works Cited
  • Todos me llaman Gato, Animals of the Periphery
  • A Street Cat
  • Of Police and Dogs
  • "Go Down to the Moor"
  • A Dead End
  • Film of Picos and Cats
  • The Perro Verde
  • Works Cited
  • Women on the Warpath: Perras Callejeras, José Antonio de la Loma (1985)
  • Society, Women and Cinema in the Eighties
  • Bandits of Barcelona in the Eighties
  • Transvestites and Politics
  • Love or Sex?
  • Living through Film
  • Works Cited
  • Quinquilleras, Exploitation and Forced Capitalism in Barcelona sur (1981) by Jordi Cadena: An Atypical Case of Delinquent Women in the Unstructured City of the Eighties during THE Spanish Transition
  • Works Cited
  • Index

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