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|a UAMI
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|a Masks :
|b Bowie and artists of artifice /
|c edited by James Curcio.
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|a Bristol, UK :
|b Intellect Ltd,
|c 2020.
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|a 1 online resource (320 pages)
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|a Online resource; title from PDF title page (EBSCO, viewed January 13, 2020)
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|a This interdisciplinary anthology explores the complex relationships in an artist's life between fact and fiction, presentation and existence, and critique and creation, and examines the work that ultimately results from these tensions. Using a combination of critical and personal essays and interviews, MASKS presents Bowie as the key exemplifier of the concept of the "mask," then further applies the same framework to other liminal artists and thinkers who challenged the established boundaries of the art/pop academic worlds, such as Friedrich Nietzsche, Oscar Wilde, S ren Kierkegaard, Yukio Mishima, and Hunter S. Thompson. Featuring contributions from John Gray and Slavoj Zizek and interviews with Gary Lachman and Davide De Angelis, this book will appeal to scholars and students of cultural criticism, aesthetics, and the philosophy of art; practicing artists; and fans of Bowie and other artists whose work enacts experiments in identity.
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|a Acknowledgements Foreword: The Shifting Shaman of the Modern Age -- John GrayIntroduction: Somebody Else Took His Place, and Bravely Cried... -- James CurcioChapter 1: Masks All the Way Down -- James CurcioChapter 2: Mishima, Bowie and the Anti-Metaphysics of the Mask -- Roy StarrsChapter 3: Not All That Glitters Is Gold: Ziggy Stardust and the Fractured Mask of a Generation -- Lúcio Reis-FilhoChapter 4: Watch That Man: Splicing Tape with Burroughs and Bowie -- Casey RaeChapter 5: From Vigilius Haufniensis to Ziggy Stardust: Pseudonyms, Irony and Truth in Kierkegaard and Bowie -- Tara Isabella BurtonChapter 6: Mascara and Marriage: The Twin Masks of David Bowie and Robert Smith -- Tom PowersChapter 7: The Great Contrarians -- Yahia LababidiChapter 8: Seeing Things Like Hunter: Ralph Steadman's Cartoon Visions as Revelatory Masks in Fear and Loathing in Las Vegas -- Kevin J. HuntChapter 9: The Beautiful Madness: The Primacy of Wonder in the Work of Thomas Ligotti -- J. F. MartelChapter 10: The Skin and the Double: Firbank's Aesthetics of Surface -- Michael HunterChapter 11: God's Twisted Identity -- Slavoj ŽižekChapter 12: Wishful Beginnings and Creative Ends: Conversation with Davide De Angelis -- Davide De Angelis and James CurcioChapter 13: On Existentialism and the Occult: Conversation with Gary Lachman -- Gary Lachman and James CurcioChapter 14: The Many Masks of Manifestation -- John HarriganEpilogue: Art for Art's Sake -- James CurcioNotes on Contributors Index
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|a JSTOR
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|a Masks in art.
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|a Masks in literature.
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|a Masques dans l'art.
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|a Masques dans la littérature.
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|a Masks in art.
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|a Curcio, James,
|e editor.
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|i Print version:
|a Curcio, James.
|t Masks. Bowie and artists of artifice.
|d Oxford : Intellect Ltd 2020
|z 9781789381085
|w (OCoLC)1126280600
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvxcn
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