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JSTOR_on1130687134 |
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019 |
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|a 1193123593
|a 1198924206
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|a 9781916084216
|q (electronic book)
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|a 1916084214
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|a 9781800345584
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|a 1800345585
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|a 9781800347632
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|a EB00794865
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|a AU@
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|a (OCoLC)1130687134
|z (OCoLC)1193123593
|z (OCoLC)1198924206
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|a 22573/ctv15b1t36
|b JSTOR
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|a PN1997.2.E93
|b G75 2020
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|a 791.43/72
|2 23
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|a 791.437
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|a UAMI
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100 |
1 |
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|a Grimm, Joshua,
|e author.
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245 |
1 |
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|a Ex machina /
|c Joshua Grimm.
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264 |
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1 |
|a Liverpool :
|b Auteur,
|c 2020.
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264 |
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|c ©2020
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300 |
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|a 1 online resource (109 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Constellations
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|a Includes bibliographical references
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|a The most inhuman thing of all -- 'At the expense of human values' -- 'The history of Gods' -- 'How would we treat such a thing?' -- 'The women they dream up' -- The Lotus Blossom and the Dragon Lady -- Goodbye, World.
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|a Ex Machina (2014) impressed critics and audiences alike with its bold ideas and all-too-realistic depiction of the unexpected consequences of constructing a sentient being. In his feature directorial debut, Alex Garland uses efficient storytelling, a compelling narrative, and heady concepts to create a modern science fiction masterpiece that explores gender, scientific advancement, and the very concept of humanity, all in a compelling, suspenseful film. Artificial intelligence has long been a sci-fi staple, but here, Garland posits what would happen if, for once, humans, rather than AI, were the real villains. In exploring Ex Machina's ideas about consciousness, embodiment, and masculinity, all through the lens of a misogynist mad scientist, Joshua Grimm argues the result is a fascinating, truly unique film that immediately established Garland as a breakout voice in the landscape of science fiction film.
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|a Title from resource description page (Recorded Books, viewed December 09, 2019).
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588 |
0 |
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|a Online resource; title from digital title page (viewed on September 18, 2020).
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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630 |
0 |
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|a Ex machina (Motion picture)
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600 |
1 |
0 |
|a Garland, Alex,
|d 1970-
|x Criticism and interpretation.
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600 |
1 |
7 |
|a Garland, Alex,
|d 1970-
|2 fast
|0 (OCoLC)fst00376168
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film
|x History & Criticism.
|2 bisacsh
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|a Grimm, Joshua.
|t Ex Machina.
|d Oxford : Auteur Publishing, ©2020
|
830 |
|
0 |
|a Constellations (Leighton Buzzard, England)
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1595m88
|z Texto completo
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6313252
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938 |
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|a EBSCOhost
|b EBSC
|n 2575779
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|a Recorded Books, LLC
|b RECE
|n rbeEB00794865
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|a YBP Library Services
|b YANK
|n 301442374
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|a YBP Library Services
|b YANK
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|a 92
|b IZTAP
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