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Goodbye Eros : recasting forms and norms of love in the age of Cervantes /

"Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Laguna, Ana María G., 1971- (Editor ), Beusterien, John (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto ; Buffalo ; London : University of Toronto Press, [2020]
Colección:Toronto Iberic ; 48.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Goodbye Eros :  |b recasting forms and norms of love in the age of Cervantes /  |c edited by Ana María Laguna and John Beusterien. 
264 1 |a Toronto ;  |a Buffalo ;  |a London :  |b University of Toronto Press,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (vi, 281 pages) :  |b illustrations (some color). 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Toronto Iberic ;  |v 48 
504 |a Includes bibliographical references and index. 
520 |a "Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that old love paradigms, especially the crisis of the subject, presented an extraordinary opportunity for revising traditional literary strictures. As a result, during Spain's nascent modernity, literature took up the challenge to expand existing forms of desire and subjectivity. A range of scholars show how canonical and non-canonical Golden Age writers like Miguel de Cervantes, Diego Hurtado de Mendoza, Francisco de Quevedo, Luis de Góngora, Lope de Vega, and Francisco de la Torre y Sevil became equal agents of the sweeping ontological reconfiguration of the idea of eros that defined their culture. Such reconfiguration includes: the troubling displacement of "self" and "other" seen in sentimental genres like the pastoral or romance; the overlapping of emotions such as love and jealousy characteristic of the baroque lyric and dramatic production; and the conflation of axioms such as eros and eris prevalent in contemporaneous epic experiments. In uniting the findings of often surprising texts, the collection of essays in Goodbye Eros takes a pioneering look at how Golden Age moral, ideological, scientific, and literary discourses intersected to create fascinating re-elaborations of the trope of love."--  |c Provided by publisher. 
505 0 |a Introduction: Eros in the Age of Cervantes -- Part I. Ambiguous Optics: Reframing Perception, Gender Subjectivity, and Genre Convention -- 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes's Marcela and Grisóstomo Episode -- 2. The Deceived Gaze: Visual Fantasy, Art, and Feminine Adultery in Cervantes's Reading of Ariosto -- Part II. Reasoning the Unreasonable: Toward a Rationale of Love -- 3. El Greco's and Cervantes's Euclidean Theologies -- 4. Love and the Laws of Literature: The Ethics and Poetics of Affect in Cervantes's "The Little Gypsy Girl" -- 5. Eros and Ethos in the Political and Religious Logos of The Trials of Persiles and Sigismunda: Anomic Characters in Cervantes 
505 8 |a Part III. Kissing between the Lines: Blurring Racial and Sexual Norms -- 6. Sexy Beasts: Women and Lapdogs in Baroque Satirical Verse -- 7. Sexual Deviance and Morisco Marginality in Cervantes's The Trials of Persiles and Sigismunda -- 8. The Black Madonna Icon: Race, Rape, and the Virgin of Montserrat in The Confession with the Devil by Francisco de Torre y Sevil -- Part IV. Recasting Epic and Heroic Moulds -- 9. For Love of the White Sea: The Curious Identity of Uludj Ali -- 10. Writing a Tragic Image: Eros and Eris in Lope de Vega's Jerusalem Conquered -- 11. The Unromantic Approach to Don Quixote: Cervantine Love in the Spanish Post-War Age -- Contributors -- Index. 
588 |a Description based on online resource; title from PDF title page (JSTOR, viewed on April 30, 2020). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
650 0 |a Spanish literature  |y Classical period, 1500-1700  |x History and criticism. 
650 0 |a Love in literature. 
650 6 |a Amour dans la littérature. 
650 7 |a LITERARY CRITICISM / European / Spanish & Portuguese  |2 bisacsh 
650 7 |a Love in literature.  |2 fast  |0 (OCoLC)fst01002808 
650 7 |a Spanish literature  |x Classical period.  |2 fast  |0 (OCoLC)fst01711000 
648 7 |a 1500-1700  |2 fast 
655 7 |a Literary criticism.  |2 fast  |0 (OCoLC)fst01986215 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Literary criticism.  |2 lcgft 
655 7 |a Critiques littéraires.  |2 rvmgf 
700 1 |a Laguna, Ana María G.,  |d 1971-  |e editor. 
700 1 |a Beusterien, John,  |e editor. 
776 0 8 |i Print version:  |t Goodbye Eros.  |d Toronto ; Buffalo ; London : University of Toronto Press, [2020]  |z 1487504217  |w (OCoLC)1089958078 
830 0 |a Toronto Iberic ;  |v 48. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.3138/j.ctv102bjnf  |z Texto completo 
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