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Face-to-face in Shakespearean drama : ethics, performance, philosophy /
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2019]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Face-to-face in Shakespearean drama : |b ethics, performance, philosophy / |c edited by Matthew James Smith and Julia Reinhard Lupton. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (i-viii, 296 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Intro -- List of Illustrations -- Acknowledgements -- Introduction -- Part I Foundational Face Work -- Chapter 1 Outface and Interface -- Chapter 2 'Everybody's Somebody's Fool': Folie à Deux in Shakespeare's Love Duets -- Chapter 3 The Course of Recognition in Cymbeline -- Part II Composing Intimacy and Conflict -- Chapter 4 Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- Chapter 5 Bed Tricks and Fantasies of Facelessness: All's Well that Ends Well and Macbeth in the Dark -- Part III Facing Judgement -- Chapter 6 The Face of Judgement in Measure for Measure | |
| 505 | 8 | |a Chapter 7 Then Face to Face: Timing Trust in Macbeth -- Part IV Moving Pictures -- Chapter 8 The Man of Sorrows: Edgar's Disguise and Dürer's Self-portraits -- Chapter 9 The Face as Rhetorical Self in Ben Jonson's Literature -- Chapter 10 Hamlet's Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index | |
| 520 | |a This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. | ||
| 504 | |a Includes bibliographical references (pages 264-284) and index. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 0 | |a Acting |x Philosophy. | |
| 650 | 6 | |a Art dramatique |x Philosophie. | |
| 650 | 7 | |a Acting |x Philosophy |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 700 | 1 | |a Smith, Matthew James, |e editor. | |
| 700 | 1 | |a Lupton, Julia Reinhard, |d 1963- |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 1474435688 |z 9781474435680 |w (OCoLC)1039938207 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvnjbfvw |z Texto completo |
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6145356 | ||
| 994 | |a 92 |b IZTAP | ||