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Against a sharp white background : infrastructures of African American print /
"The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limi...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Madison, Wisconsin :
The University of Wisconsin Press,
[2019]
|
| Colección: | History of print and digital culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1100625745 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 190511t20192019wiua ob 001 0 eng d | ||
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| 020 | |a 9780299321536 |q (electronic bk.) | ||
| 020 | |a 0299321533 |q (electronic bk.) | ||
| 020 | |z 9780299321505 | ||
| 020 | |z 0299321509 | ||
| 029 | 1 | |a AU@ |b 000065328950 | |
| 035 | |a (OCoLC)1100625745 | ||
| 037 | |a 22573/ctvgrf5bv |b JSTOR | ||
| 050 | 4 | |a PS153.N5 |b A3967 2019eb | |
| 082 | 0 | 4 | |a 810.9/896073 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Against a sharp white background : |b infrastructures of African American print / |c edited by Brigitte Fielder and Jonathan Senchyne. |
| 264 | 1 | |a Madison, Wisconsin : |b The University of Wisconsin Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xi, 318 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a The history of print and digital culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction. |t Infrastructures of African American print / |r Brigitte Fielder and Jonathan Senchyne -- |g Section I. |t Infrastructures -- |t Slavery, black visual culture, and the promises and problems of print in the work of David Drake, Theaster Gates, and Glenn Ligon / |r P. Gabrielle Foreman -- |t "The books you've waited for" : Ebony magazine, the Johnson book division, and black history in print / |r E. James West -- |t Making lists, keeping time : infrastructures of black inquiry, 1900-1950 / |r Laura E. Helton -- |t Parsing the special characters of African American print culture : Mary Ann Shadd and the * limits of search / |r Jim Casey -- |g Section II. |t Paratexts -- |t Dionne Brand's A Map to the Door of No Return and antiblackness of the book as an object / |r Beth A. McCoy and Jasmine Y. Montgomery -- |t Performative paratexts : Postblackness, law, and the periodization of African American literature / |r Jesse A. Goldberg -- |t Richard Wright between two fronts : Black Boy in the black metropolis / |r Kinohi Nishikawa -- |t Imitation, racialization, and interpretive norms : Nella Larsen's "plagiarized" story in The Forum / |r Barbara Hochman -- |g Section III. |t Formats -- |t Visionary history : recovering William J. Wilson's "Afric-American Picture Gallery" / |r John Ernest, Rian Bowie, Leif Eckstrom, and Britt Rusert -- |t Centering black women in the black Chicago renaissance : Katherine Williams-Irvin, Olive Diggs, and "new negro womanhood" / |r Aria S. Halliday -- |t The slave narrative unbound / |r Michaël Roy -- |t The walking book / |r Bryan Sinche. |
| 520 | |a "The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; "post-Black" art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies." | ||
| 505 | 0 | |a Intro; Contents; List of Illustrations; Acknowledgments; Introduction: Infrastructures of African American Print (Brigitte Fielder and Jonathan Senchyne); Section I. Infrastructures; Slavery, Black Visual Culture, and the Promises and Problems of Print in the Work of David Drake, Theaster Gates, and Glenn Ligon (P. Gabrielle Foreman); "The Books You've Waited For": Ebony Magazine, the Johnson Book Division, and Black History in Print (E. James West); Making Lists, Keeping Time: Infrastructures of Black Inquiry, 1900-1950 (Laura E. Helton) | |
| 505 | 8 | |a Parsing the Special Characters of African American Print Culture: Mary Ann Shadd and the * Limits of Search (Jim Casey)Section II. Paratexts; Dionne Brand's A Map to the Door of No Return and the Antiblackness of the Book as an Object (Beth A. McCoy and Jasmine Y. Montgomery); Performative Paratexts: Postblackness, Law, and the Periodization of African American Literature (Jesse A. Goldberg); Richard Wright between Two Fronts: Black Boy in the Black Metropolis (Kinohi Nishikawa) | |
| 505 | 8 | |a Imitation, Racialization, and Interpretive Norms: Nella Larsen's "Plagiarized" Story in The Forum (Barbara Hochman)Section III. Formats; Visionary History: Recovering William J. Wilson's "Afric-American Picture Gallery" (John Ernest, Rian Bowie, Leif Eckstrom, and Britt Rusert); Centering Black Women in the Black Chicago Renaissance: Katherine Williams-Irvin, Olive Diggs, and "New Negro Womanhood" (Aria S. Halliday); The Slave Narrative Unbound (Michaël Roy); The Walking Book (Bryan Sinche); Contributors; Index | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a American literature |x African American authors |x Publishing |x History. | |
| 650 | 0 | |a African Americans in literature. | |
| 650 | 0 | |a African American authors. | |
| 650 | 0 | |a African American periodicals. | |
| 650 | 0 | |a African Americans and mass media. | |
| 650 | 6 | |a Noirs américains dans la littérature. | |
| 650 | 6 | |a Écrivains noirs américains. | |
| 650 | 6 | |a Périodiques noirs américains. | |
| 650 | 6 | |a Noirs américains et médias. | |
| 650 | 7 | |a African American authors |2 fast | |
| 650 | 7 | |a African American periodicals |2 fast | |
| 650 | 7 | |a African Americans and mass media |2 fast | |
| 650 | 7 | |a African Americans in literature |2 fast | |
| 650 | 7 | |a American literature |x African American authors |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Senchyne, Jonathan, |e editor. | |
| 700 | 1 | |a Fielder, Brigitte, |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 9780299321505 |z 0299321509 |w (DLC) 2018045768 |w (OCoLC)1065543315 |
| 830 | 0 | |a History of print and digital culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvgs08p1 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5764633 | ||
| 938 | |a Project MUSE |b MUSE |n muse72542 | ||
| 938 | |a YBP Library Services |b YANK |n 16201990 | ||
| 938 | |a EBSCOhost |b EBSC |n 3622231 | ||
| 994 | |a 92 |b IZTAP | ||