|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1090696109 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
190319t20192019nyu ob 001 0 eng |
010 |
|
|
|a 2019013345
|
040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCO
|d OCLCF
|d N$T
|d EBLCP
|d OCLCQ
|d JSTOR
|d P@U
|d YDX
|d OCLCQ
|d DEGRU
|d OCLCQ
|d UKAHL
|d OCLCQ
|d UK7LJ
|d OCLCO
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9781501739576
|q (electronic book)
|
020 |
|
|
|a 1501739573
|q (electronic book)
|
020 |
|
|
|a 9781501739569
|q (electronic book)
|
020 |
|
|
|a 1501739565
|q (electronic book)
|
020 |
|
|
|z 9781501739552
|
020 |
|
|
|z 1501739557
|
029 |
1 |
|
|a AU@
|b 000065749141
|
029 |
1 |
|
|a AU@
|b 000066144842
|
029 |
1 |
|
|a AU@
|b 000066189349
|
035 |
|
|
|a (OCoLC)1090696109
|
037 |
|
|
|a 22573/ctvfb9fn7
|b JSTOR
|
042 |
|
|
|a pcc
|
050 |
1 |
4 |
|a PA6063
|b .M33 2019
|
072 |
|
7 |
|a LIT
|x 004190
|2 bisacsh
|
072 |
|
7 |
|a LIT
|x 014000
|2 bisacsh
|
072 |
|
7 |
|a LIT
|x 006000
|2 bisacsh
|
082 |
0 |
0 |
|a 874/.010923
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a McCarthy, Kathleen,
|d 1962-
|e author.
|
245 |
1 |
0 |
|a I, the poet :
|b first-person form in Horace, Catullus, and Propertius /
|c Kathleen McCarthy.
|
264 |
|
1 |
|a Ithaca [New York] :
|b Cornell University Press,
|c 2019.
|
264 |
|
4 |
|c ©2019
|
300 |
|
|
|a 1 online resource (viii, 244 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and indexes.
|
505 |
0 |
|
|a Introduction : voices on the page -- Poetry as conversation -- Poetry as performance -- Poetry that says Ego -- Poetry as writing -- Epilogue : Ovid in exile.
|
520 |
|
|
|a "First-person poetry is a familiar genre in Latin literature. Building on the Greek poetic tradition of performed poetry, Latin poets such as Propertius, Catullus, Horace, and Ovid positioned their speakers both as participants in the poem's narrative and as narrators standing outside the poem and shaping its discourse. This book offers a model for understanding the ubiquitous use of a first-person voice in Latin poetry, taking on several of the central debates in the field of Latin literary studies-- including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice"--Through close readings of Catullus, Propertius, Horace, and (in the epilogue) Ovid. Moving beyond debates about how closely the textual speaker replicates the historical author, McCarthy analyzes poetic structure, showing how the poet draws the reader in by narrating scenes of address from which the reader is, paradoxically excluded, as if leaning in to listen to an overheard conversation"--
|c Provided by publisher.
|
588 |
0 |
|
|a Online resource; title from digital title page (viewed on October 18, 2019).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
600 |
0 |
0 |
|a Horace
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Catullus, Gaius Valerius
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Propertius, Sextus
|x Criticism and interpretation.
|
600 |
1 |
1 |
|a Propertius, Sextus
|x Criticism and interpretation.
|
600 |
1 |
1 |
|a Catullus, Gaius Valerius
|x Criticism and interpretation.
|
600 |
0 |
1 |
|a Horace
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Catullus, Gaius Valerius
|2 fast
|
600 |
0 |
7 |
|a Horace
|2 fast
|
600 |
1 |
7 |
|a Propertius, Sextus
|2 fast
|
650 |
|
0 |
|a Latin poetry
|x History and criticism
|x Theory, etc.
|
650 |
|
0 |
|a First person narrative.
|
650 |
|
0 |
|a Point of view (Literature)
|
650 |
|
0 |
|a Self in literature.
|
650 |
|
6 |
|a Poésie latine
|x Histoire et critique
|x Théorie, etc.
|
650 |
|
6 |
|a Récits à la première personne.
|
650 |
|
6 |
|a Point de vue (Littérature)
|
650 |
|
6 |
|a Moi (Psychologie) dans la littérature.
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Ancient & Classical.
|2 bisacsh
|
650 |
|
7 |
|a First person narrative
|2 fast
|
650 |
|
7 |
|a Point of view (Literature)
|2 fast
|
650 |
|
7 |
|a Self in literature
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a McCarthy, Kathleen, 1962-
|t I, the poet.
|d Ithaca [New York] : Cornell University Press, 2019
|z 9781501739552
|w (DLC) 2019011316
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7591/j.ctvfc53zt
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH36106208
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH36840991
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9781501739569
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5888666
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2093051
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse75884
|
994 |
|
|
|a 92
|b IZTAP
|