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Spanish cinema against itself : cosmopolitanism, experimentation, and militancy /
Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s'with the work of Luis BuNuel and Salvador DalI, experimentalist JosE Val de Omar, and militant documentary filmmaker Carlos Velo'through to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2020]
|
| Colección: | New directions in national cinemas.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Marsh, Steven, |d 1963- |e author. | |
| 245 | 1 | 0 | |a Spanish cinema against itself : |b cosmopolitanism, experimentation, and militancy / |c Steven Marsh. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2020] | |
| 300 | |a 1 online resource (x, 256 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a New directions in national cinemas | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: differance. otherness. experiment -- Interrogations of the national allegory: trance film and ethnography -- Intermediality, intoxication, and the infrathin -- The discontinuous legacies of Pere Portabella: between heritage and inheritance -- History, hauntology, representation: Spanish cinema against itself -- The ex of experimentation: against periodization -- The catacoustic and the cosmopolitan: rhythm and timbre in the films of Andres Duque -- Turns and returns, envois/renvois: the postal effect in recent Spanish film -- Retrospective future perfect: history, black holes, and time warps in the films of los hijos and Luis López Carrasco -- "No nos representan!": performativity as militant film, the 15-M Archive -- Afterword: unruly archives. La decima carta and Buenas noches, España. | |
| 520 | |a Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s'with the work of Luis BuNuel and Salvador DalI, experimentalist JosE Val de Omar, and militant documentary filmmaker Carlos Velo'through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 10, 2020). | |
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| 650 | 0 | |a Motion pictures |z Spain |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |z Spain |x History |y 21st century. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z Spain |x History and criticism. | |
| 650 | 6 | |a Cinéma |z Espagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |z Espagne |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect social |z Espagne |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Marsh, Steven, 1963- |t Spanish cinema against itself. |d Bloomington : Indiana University Press, 2020 |z 9780253046307 |w (DLC) 2019011399 |
| 830 | 0 | |a New directions in national cinemas. | |
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