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JSTOR_on1089842165 |
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|a (OCoLC)1089842165
|z (OCoLC)1105987966
|z (OCoLC)1106128297
|z (OCoLC)1184461154
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|a 22573/ctvk0jhnm
|b JSTOR
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|a pcc
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|a PS3507.O743
|b Z773 2019
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|a LIT
|x 004020
|2 bisacsh
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|a 812/.52
|2 23
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|a UAMI
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|a Nanney, Lisa,
|e author.
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|a John Dos Passos & cinema /
|c Lisa Nanney.
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|a John Dos Passos and cinema
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|a First edition.
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264 |
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|a [Clemson, South Carolina] :
|b Clemson University Press in association with Liverpool University Press,
|c 2019.
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300 |
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|a 1 online resource (viii, 252 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a "The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"--
|c Provided by publisher.
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|a Includes bibliographical references and index.
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|a Part I (1917-1928). From the stage to the screen : "goin' to the movies ..." in the Great War and the 1920s -- Experimental drama and Soviet constructivist theater -- The birth of an industry : setting the stage for the screen -- "Propaganda for peace": film and narrative in One man's initiation : 1917 (1920), Three soldiers (1921), and D.W. Griffith's Hearts of the world (1918) -- Soviet film : montage, the camera eye, and ideology -- Part II (1934-1937). From Paramount Studios to the Spanish front: writing Hollywood, filming history -- "The world's greatest center of ... propaganda" : Hollywood, The devil is a woman, and The big money -- Film writing : "dreamfactory," meta-film, and the politics of form -- Filming history and The Spanish earth : "what a man and a comrade has to do in ... Wartimes" -- Part III (1937-1970). From page to stage to screens: adapting U.S.A. and "the truth as I see it" -- Filmic narrative into narrative film : "politics and the silver screen."
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|a Online resource; title from digital title page (viewed on February 11, 2020).
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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1 |
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|a Dos Passos, John,
|d 1896-1970
|x Motion picture plays.
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1 |
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|a Dos Passos, John,
|d 1896-1970
|x Political and social views.
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1 |
7 |
|a Dos Passos, John,
|d 1896-1970
|2 fast
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650 |
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|a Literary studies: from c 1900.
|2 bicssc
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a Motion picture plays
|2 fast
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650 |
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|a Political and social views
|2 fast
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776 |
0 |
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|i Print version:
|a Nanney, Lisa.
|t John Dos Passos and cinema.
|b First edition.
|d [Clemson, South Carolina] : Clemson University Press in association with Liverpool University Press, 2019
|z 9781942954873
|w (DLC) 2019004202
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvk12qw8
|z Texto completo
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938 |
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|a Liverpool University Press
|b LUPS
|n 9781942954880
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5799294
|
938 |
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|a EBSCOhost
|b EBSC
|n 2177641
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|a YBP Library Services
|b YANK
|n 16313746
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|a YBP Library Services
|b YANK
|n 16407084
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|a 92
|b IZTAP
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