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John Dos Passos & cinema /

"The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nanney, Lisa (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Clemson, South Carolina] : Clemson University Press in association with Liverpool University Press, 2019.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Nanney, Lisa,  |e author. 
245 1 0 |a John Dos Passos & cinema /  |c Lisa Nanney. 
246 3 |a John Dos Passos and cinema 
250 |a First edition. 
264 1 |a [Clemson, South Carolina] :  |b Clemson University Press in association with Liverpool University Press,  |c 2019. 
300 |a 1 online resource (viii, 252 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
520 |a "The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
505 0 |a Part I (1917-1928). From the stage to the screen : "goin' to the movies ..." in the Great War and the 1920s -- Experimental drama and Soviet constructivist theater -- The birth of an industry : setting the stage for the screen -- "Propaganda for peace": film and narrative in One man's initiation : 1917 (1920), Three soldiers (1921), and D.W. Griffith's Hearts of the world (1918) -- Soviet film : montage, the camera eye, and ideology -- Part II (1934-1937). From Paramount Studios to the Spanish front: writing Hollywood, filming history -- "The world's greatest center of ... propaganda" : Hollywood, The devil is a woman, and The big money -- Film writing : "dreamfactory," meta-film, and the politics of form -- Filming history and The Spanish earth : "what a man and a comrade has to do in ... Wartimes" -- Part III (1937-1970). From page to stage to screens: adapting U.S.A. and "the truth as I see it" -- Filmic narrative into narrative film : "politics and the silver screen." 
588 0 |a Online resource; title from digital title page (viewed on February 11, 2020). 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Dos Passos, John,  |d 1896-1970  |x Motion picture plays. 
600 1 0 |a Dos Passos, John,  |d 1896-1970  |x Political and social views. 
600 1 7 |a Dos Passos, John,  |d 1896-1970  |2 fast 
650 7 |a Literary studies: from c 1900.  |2 bicssc 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a Motion picture plays  |2 fast 
650 7 |a Political and social views  |2 fast 
776 0 8 |i Print version:  |a Nanney, Lisa.  |t John Dos Passos and cinema.  |b First edition.  |d [Clemson, South Carolina] : Clemson University Press in association with Liverpool University Press, 2019  |z 9781942954873  |w (DLC) 2019004202 
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