|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1081039324 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr un||||||||| |
008 |
190107s2019 quc o 000 p eng |
040 |
|
|
|a NLC
|b eng
|e rda
|e pn
|c NLC
|d N$T
|d YDX
|d EBLCP
|d JSTOR
|d OCLCF
|d TOH
|d CELBN
|d OCLCQ
|d MM9
|d OCLCQ
|d OCLCO
|d OCLCQ
|d K6U
|d OCLCQ
|d UKAHL
|d SFB
|d DEGRU
|d OCLCQ
|d OCLCO
|
015 |
|
|
|a 20190047917
|2 can
|
020 |
|
|
|a 9780773558281
|q (electronic bk.)
|
020 |
|
|
|a 0773558284
|q (electronic bk.)
|
020 |
|
|
|a 9780773558274
|q (electronic bk.)
|
020 |
|
|
|a 0773558276
|q (electronic bk.)
|
020 |
|
|
|z 9780773556355
|
029 |
1 |
|
|a AU@
|b 000065280169
|
035 |
|
|
|a (OCoLC)1081039324
|
037 |
|
|
|a 22573/ctvggkqvw
|b JSTOR
|
050 |
|
4 |
|a PR9199.3.O345
|
055 |
|
0 |
|a PS8579.G735
|b D45 2019
|
072 |
|
7 |
|a LIT
|x 014000
|2 bisacsh
|
072 |
|
7 |
|a POE
|x 011000
|2 bisacsh
|
082 |
0 |
4 |
|a C811/.6
|2 23
|
084 |
|
|
|a af101fs
|2 lacc
|
084 |
|
|
|a cci1icc
|2 lacc
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a O'Grady, Thomas,
|d 1956-
|e author.
|
245 |
1 |
0 |
|a Delivering the news /
|c Thomas O'Grady.
|
264 |
|
1 |
|a Montreal ;
|a Kingston ;
|a London ;
|a Chicago :
|b McGill-Queen's University Press,
|c 2019.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a The Hugh MacLennan poetry series
|
588 |
0 |
|
|a Online resource; title from PDF title page (EBSCO, viewed April 16, 2019)
|
520 |
|
|
|a "Engaging with the inevitability of change and flux, Thomas O'Grady's poems grapple with themes of death and rebirth, of loss and resiliency, of ebb and flow within nature and within individual lives and romantic and domestic relationships. Bookended by the springtime of "Controlled Burn" and its mirror, the wistfully autumnal "Magritte," the collection follows multiple arcs within and across poems and longer sequences. Part I grounds the poems in the rural landscapes, shorescapes, and streetscapes of the poet's childhood on Prince Edward Island, leading O'Grady home in "Seeing Red" as he returns to "the heartening blaze / of red that frames the doors, // the eaves, the corner trim / of every outlying / Island barn and shed." Part II, "The Wide World," comprises poems prompted by more cosmopolitan landscapes, both literal and figurative, and inspired by the graphic arts, jazz music, classical mythology, and other writers. A later sequence of eight poems reflects O'Grady's Irish heritage within the social fabric of PEI. Through precise and steadying language, Delivering the News reflects the capacity of poetry both to acknowledge and to mitigate life's mutability."--
|c Provided by publisher
|
505 |
0 |
|
|a Cover; Copyright; Contents; METAPHOR; PART ONE Seeing Red; CONTROLLED BURN; DELIVERING THE NEWS; STEERS; TWIST; LAND OF YOUTH; 1 BANK SWALLOWS; 2 PICNIC ROCK; 3 LEVIATHAN; 4 ARTERY; THE GOAL; ORNITHOLOGY; 1 MOURNING DOVES; 2 TRAJECTORY; 3 SHAVING OUT-OF-DOORS; 4 MORRÍGAN; 5 CORBIES; THE OTHER FOOT; THREE COWS; COLD SHOULDER; FELINE; 1 MOUSETRAP; 2 SMOKE; 3 INDETERMINACY; SYNCHRONIZED SWIMMERS; PERFECT FIT; TALL TALES; MEMORY; HOW IT ENDS; LETTING GO; OUTSIDE THE WAKE; THAW; WEATHERING; 1 HINDENBURG OVER WEST CAPE; 2 TWO HORSES; 3 CAPE ROAD; 4 BLAST; 5 ALCHEMY; HERMIT CRABS; SEEING RED; ENVOI
|
505 |
8 |
|
|a SAILING FROM AN ISLANDPART TWO The Wide World; THE RISING; SLEIGHT OF HAND; ANDRÉ KERTÉSZ: TWO PHOTOGRAPHS; CORTONA; AU CHAT NOIR (1883); BLUE NOTE CATS; 1 Bouncing with bud; 2 Moment's notice; UP AT MINTON'S; SERGE CHALOFF; STARS FELL ON ALABAMA; MYTHOLOGY; 1 THEY ALL LAUGHED; 2 STRAIGHTEN UP AND FLY RIGHT; 3 NIGHT AND DAY; 4 (LET'S TAKE IT) NICE AND EASY; 5 WHAT IS THIS THING CALLED LOVE?; AT McNELLO'S; TIME WAS, WHEN I SPORTED; AFTER Ó BRUADAIR; 1 PREROGATIVE; 2 UNTITLED; MAYNOOTH, 1822; An Slatóir; Dánta Grádha; 1 ULYSSES; 2 WHITE SQUARE; AFTER PETRARCH; RED AND GREEN / ROUGE ET VERT
|
505 |
8 |
|
|a THE FALLLA TZIGANE; PARTNERS; SMOKE SIGNALS; ELLIPSIS; BEDROOM SUITE; 1 SUNDAY MORNING; 2 THE ODYSSEY; 3 PICASSO; 4 MOONLIGHT IN VERMONT; 5 DOUBLING ON BRASS; 6 MAKEOVER; 7 MAGRITTE; NOTES; ACKNOWLEDGMENTS
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Canadian poetry
|y 21st century.
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
|
650 |
|
7 |
|a POETRY
|x Canadian.
|2 bisacsh
|
650 |
|
7 |
|a Canadian poetry
|2 fast
|
648 |
|
7 |
|a 2000-2099
|2 fast
|
830 |
|
0 |
|a Hugh MacLennan poetry series.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvggx1v2
|z Texto completo
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9780773558274
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH41241544
|
938 |
|
|
|a Canadian Electronic Library
|b CELB
|n 456801
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5750899
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2102412
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 16164147
|
994 |
|
|
|a 92
|b IZTAP
|