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181129s2018 stka ob 001 0 eng d |
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|a 22573/ctv8g3cqm
|b JSTOR
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|a PN1995.9.I42
|b H65 2018eb
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|2 23
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|a UAMI
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|a Hollyfield, Jerod Ra'Del,
|e author.
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|a Framing empire :
|b postcolonial adaptations of Victorian literature in Hollywood /
|c Jerod Ra'Del Hollyfield
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|a Edinburgh :
|b Edinburgh University Press,
|c [2018]
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|a 1 online resource (viii, 214 pages) :
|b illustrations (black and white)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references (pages 191-202) and index.
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|g 1.
|t An American Kipling: Colonial Discourse, Settler Culture and the Hollywood Studio System in George Stevens' Gunga Din --
|g 2.
|t `He Is Not Here by Accident': Transit, Sin and the Model Settler in Patrick Lussier's Dracula 2000 --
|g 3.
|t Those Other Victorians: Cosmopolitanism and Empire in Jane Campion's The Portrait of a Lady --
|g 4.
|t Imperial Vanities: Mira Nair, William Makepeace Thackeray and Diasporic Fidelity to Vanity Fair --
|g 5.
|t Epic Multitudes: Postcolonial Genre Politics in Shekhar Kapur's The Four Feathers --
|g 6.
|t Gentlemanly Gazes: Charles Dickens, Alfonso Cuaron and the Transnational Gulf in Great Expectations --
|g 7.
|t Indie Dickens: Oliver Twist as Global Orphan in Tim Greene's Boy Called Twist --
|g 8.
|t Three-Worlds Theory Chutney: Oliver Twist, Q & A and the Curious Case of Slumdog Millionaire.
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|a Print version record.
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|a This book examines postcolonial filmmakers adapting Victorian literature in Hollywood to contend with both the legacy of British imperialism and the influence of globalized media entities.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a English literature
|x Film adaptations.
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650 |
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|a English literature
|y 19th century
|x History and criticism.
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|a Imperialism in motion pictures.
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650 |
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|a Postcolonialism.
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650 |
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|a Postcolonialism in motion pictures.
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650 |
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|a Littérature anglaise
|x Adaptations cinématographiques.
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650 |
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|a Littérature anglaise
|y 19e siècle
|x Histoire et critique.
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650 |
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|a Impérialisme au cinéma.
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|a Postcolonialisme.
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|a Postcolonialisme au cinéma.
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|a postcolonialism.
|2 aat
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a LITERARY CRITICISM
|x Modern
|x General.
|2 bisacsh
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650 |
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|a English literature.
|2 fast
|0 (OCoLC)fst00911989
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650 |
|
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|a Imperialism in motion pictures.
|2 fast
|0 (OCoLC)fst00968143
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650 |
|
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|a Postcolonialism.
|2 fast
|0 (OCoLC)fst01073032
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|a Postcolonialism in motion pictures.
|2 fast
|0 (OCoLC)fst01904327
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648 |
|
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|a 1800-1899
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Film adaptations.
|2 fast
|0 (OCoLC)fst01710491
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|a Film adaptations.
|2 lcgft
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|a Adaptations cinématographiques.
|2 rvmgf
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|i Print version:
|a HOLLYFIELD, JEROD RA'DEL.
|t FRAMING EMPIRE.
|d EDINBURGH : EDINBURGH UNIV PRESS, 2018
|z 1474429947
|w (OCoLC)1029858262
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv8jp0d4
|z Texto completo
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