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Worldly desires : cosmopolitanism and cinema in Hong Kong and Taiwan /

"How does cinema imagine our place in the world? Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the idea of nationhood. Examinin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hu, Brian (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2018]
Colección:Edinburgh studies in East Asian film.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Worldly desires :  |b cosmopolitanism and cinema in Hong Kong and Taiwan /  |c Brian Hu. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (ix, 250 pages) :  |b illustrations. 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Melodramas of arrival and departure : Jet-set students in 1970s Taiwanese romance -- ABCs, mixed-race stars, and other monsters of globalization -- Setting the stage : Hong Kong musical stars take on the world -- All the right moves : mobile heroes and the Shaolin Temple film -- The cosmopolitan brand : film policy as cultural work in the international film market -- Conclusion. 
520 |a "How does cinema imagine our place in the world? Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the idea of nationhood. Examining the cultural, political and industrial overlaps between these cinemas, as well as the areas where they uniquely parallel each other, this book brings together perspectives from cinema studies, Chinese studies and Asian American studies to show how culture is produced in the spaces between empires. With case studies of popular stars like Linda Lin Dai and Edison Chen, and spectacular genres like the Shaolin Temple cycle of martial arts films and the romantic melodramas of 1970s Taiwan, the book explores what it meant to be both cosmopolitan and Chinese in the second half of the 20th century."--  |c Provided by publisher. 
545 0 |a Brian Hu is Assistant Professor in Television, Film, and New Media at San Diego State University. He is also the Artistic Director of the San Diego Asian Film Festival. 
588 0 |a Print version record. 
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650 0 |a Motion pictures  |z China  |z Hong Kong  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Taiwan  |x History  |y 20th century. 
650 6 |a Cinéma  |z Chine  |z Hongkong  |x Histoire  |y 20e siècle. 
650 6 |a Cinéma  |z Taiwan  |x Histoire  |y 20e siècle. 
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650 7 |a POLITICAL SCIENCE / Public Policy / Cultural Policy  |2 bisacsh 
650 7 |a Motion pictures  |2 fast 
651 7 |a China  |z Hong Kong  |2 fast 
651 7 |a Taiwan  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Hu, Brian.  |t Worldly desires.  |d Edinburgh : Edinburgh University Press, [2018]  |z 1474428452  |w (DLC) 2018289413  |w (OCoLC)1029864324 
830 0 |a Edinburgh studies in East Asian film. 
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