Sofia Coppola : the politics of visual pleasure /

"All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on in...

Full description

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Backman Rogers, Anna (Author)
Format: Electronic eBook
Language:Inglés
Published: New York : Berghahn Books, 2019.
Subjects:
Coppola, Sofia, > 1971- > Criticism and interpretation.
Coppola, Sofia, > 1971-
Women motion picture producers and directors > United States.
Feminism and motion pictures.
Productrices et réalisatrices de cinéma > États-Unis.
Féminisme et cinéma.
PERFORMING ARTS > Reference.
PERFORMING ARTS / Film & Video / Direction & Production
Feminism and motion pictures
Women motion picture producers and directors
United States
Marie Antoinette.
Somewhere.
The Beguiled.
The Bling Ring.
coppola.
female directors.
feminist film theory.
feminist theory.
lost in translation.
sofia coppola.
the virgin suicides.
Criticism, interpretation, etc.
Online Access:Texto completo
Table of Contents:
  • Introduction : the surface of the image is political
  • Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999)
  • Chapter 2. The Beguiled (2017)
  • Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003)
  • Chapter 4. Somewhere (2010)
  • Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006)
  • Chapter 6. The Bling Ring (2013)
  • Conclusion : on beguilement.

Similar Items