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Sofia Coppola : the politics of visual pleasure /
"All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on in...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Berghahn Books,
2019.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Backman Rogers, Anna, |e author. | |
| 245 | 1 | 0 | |a Sofia Coppola : |b the politics of visual pleasure / |c by Anna Backman Rogers. |
| 263 | |a 1811 | ||
| 264 | 1 | |a New York : |b Berghahn Books, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b n |2 rdamedia | ||
| 338 | |a online resource |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : on beguilement. | |
| 520 | |a "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Coppola, Sofia, |d 1971- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Coppola, Sofia, |d 1971- |2 fast |
| 650 | 0 | |a Women motion picture producers and directors |z United States. | |
| 650 | 0 | |a Feminism and motion pictures. | |
| 650 | 6 | |a Productrices et réalisatrices de cinéma |z États-Unis. | |
| 650 | 6 | |a Féminisme et cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 7 | |a Feminism and motion pictures |2 fast | |
| 650 | 7 | |a Women motion picture producers and directors |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 653 | |a Marie Antoinette. | ||
| 653 | |a Somewhere. | ||
| 653 | |a The Beguiled. | ||
| 653 | |a The Bling Ring. | ||
| 653 | |a coppola. | ||
| 653 | |a female directors. | ||
| 653 | |a feminist film theory. | ||
| 653 | |a feminist theory. | ||
| 653 | |a lost in translation. | ||
| 653 | |a sofia coppola. | ||
| 653 | |a the virgin suicides. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Backman Rogers, Anna. |t Sofia Coppola. |d New York : Berghahn Books, 2019 |z 9781785339653 |w (DLC) 2018046678 |w (OCoLC)1056204100 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvw04dcj |z Texto completo |
| 938 | |a EBSCOhost |b EBSC |n 1794502 | ||
| 938 | |a YBP Library Services |b YANK |n 15530488 | ||
| 994 | |a 92 |b IZTAP | ||