Cargando…

After the party : a manifesto for queer of color life /

This book tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, as well...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chambers-Letson, Joshua Takano (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2018]
Colección:Sexual cultures.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 JSTOR_on1043948548
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cnu---unuuu
008 180713t20182018nyuaf ob 001 0 eng d
040 |a N$T  |b eng  |e rda  |e pn  |c N$T  |d EBLCP  |d YDX  |d CUS  |d CNO  |d OCLCQ  |d DEGRU  |d JSTOR  |d UX1  |d AUD  |d P@U  |d OCLCO  |d OCLCQ  |d OCLCO  |d VLB  |d OCLCQ  |d MTH  |d OCLCO 
019 |a 1049605868  |a 1056738508  |a 1078529400  |a 1158093274  |a 1175621446  |a 1192488665 
020 |a 9781479882632  |q (electronic bk.) 
020 |a 1479882631  |q (electronic bk.) 
020 |z 9781479890170 
020 |z 1479890170 
020 |z 9781479832774 
020 |z 1479832774 
024 7 |a 10.18574/9781479882632  |2 doi 
024 8 |a 40028446266 
029 1 |a AU@  |b 000067253412 
035 |a (OCoLC)1043948548  |z (OCoLC)1049605868  |z (OCoLC)1056738508  |z (OCoLC)1078529400  |z (OCoLC)1158093274  |z (OCoLC)1175621446  |z (OCoLC)1192488665 
037 |a 22573/ctv12n12jw  |b JSTOR 
050 4 |a HQ76.25  |b .C425 2018eb 
072 7 |a POL  |x 038000  |2 bisacsh 
072 7 |a SOC  |x 002010  |2 bisacsh 
072 7 |a SOC  |x 022000  |2 bisacsh 
082 0 4 |a 306.7601  |2 23 
049 |a UAMI 
100 1 |a Chambers-Letson, Joshua Takano,  |e author. 
245 1 0 |a After the party :  |b a manifesto for queer of color life /  |c Joshua Chambers-Letson. 
264 1 |a New York :  |b New York University Press,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (xxii, 299 pages, 8 unnumbered pages of plates) :  |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file 
347 |b PDF 
490 1 |a Sexual cultures 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: I wish I knew how it would feel to be free -- Nina Simone and the work of minoritarian performance -- Searching for Danh Vō's mother -- The Marxism of Felix Gonzalez-Torres -- Eiko's Entanglements -- Tseng Kwong Chi and the party's end -- Epilogue: 6E. 
588 0 |a Print version record. 
520 |a This book tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, as well as Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, the book considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, the author maps a portrait of performance's capacity to produce what he calls a communism of incommensurability, a practice of being together in difference. Describing performance as a rehearsal for new ways of living together, the book moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
600 1 7 |a Tseng, Kwong Chi  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Otake, Eiko  |x Criticism and interpretation.  |2 nli 
600 1 7 |a González-Torres, Felix,  |d 1957-1996  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Vo, Danh,  |d 1975-  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Simone, Nina,  |d 1933-2003  |x Criticism and interpretation.  |2 nli 
650 0 |a Queer theory. 
650 0 |a Performance art. 
650 0 |a Minorities  |x Social conditions. 
650 6 |a Théorie queer. 
650 6 |a Minorités  |x Conditions sociales. 
650 7 |a SOCIAL SCIENCE  |x Sociology  |x General.  |2 bisacsh 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a Minorities  |x Social conditions  |2 fast 
650 7 |a Performance art  |2 fast 
650 7 |a Queer theory  |2 fast 
650 7 |a Minorities  |x Social conditions.  |2 nli 
650 7 |a Performance art.  |2 nli 
650 7 |a Queer theory.  |2 nli 
776 0 8 |i Print version:  |a Chambers-Letson, Joshua Takano.  |t After the party.  |d New York : New York University Press, [2018]  |z 9781479890170  |w (DLC) 2017055001  |w (OCoLC)1007088696 
830 0 |a Sexual cultures. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv12pnp8x  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9781479882632 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL5103976 
938 |a EBSCOhost  |b EBSC  |n 1612030 
938 |a Project MUSE  |b MUSE  |n muse86805 
938 |a YBP Library Services  |b YANK  |n 15597141 
994 |a 92  |b IZTAP