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Portrait

This work examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. The text is written from the perspective that the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can id...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nancy, Jean-Luc
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: New York, NY : Fordham University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Nancy, Jean-Luc. 
245 1 0 |a Portrait  |h [electronic resource] /  |c Jean-Luc Nancy. 
260 |a New York, NY :  |b Fordham University Press,  |c 2018.  |e (Baltimore, Md. :  |f Project MUSE,  |g 2015) 
300 |a 1 online resource (pages cm) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Lit z 
588 |a Description based on print version record. 
505 0 |a Cover; PORTRAIT; Title; Copyright; Contents; Preface to the English- Language Edition; Introduction: The Subject of the Portrait; The Look of the Portrait; The Autonomous Portrait; Resemblance; Recall; Look; The Other Portrait; L'altro ritratto; Character; The Eye; Visageity; Mimesis; Withdrawn Presence; Ipseity; Theophany; Revelation; Divine Abandonment; Dis- figuration; Eclipse; Infinite Detachment; Coda I; Coda II; Coda III; Notes; List of Figures 
504 |a Includes bibliographical references. 
520 8 |a This work examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. The text is written from the perspective that the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. It consists of two extended essays written a decade apart but in close conversation, in which the author considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial introduction, which places the author's work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. 
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590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Portraits  |x Philosophy. 
650 6 |a Portraits  |x Philosophie. 
650 7 |a ART / Subjects & Themes / General.  |2 bisacsh 
653 |a Art theory. 
653 |a Art. 
653 |a Christianity. 
653 |a Deconstruction. 
653 |a Figuration. 
653 |a Painting. 
653 |a Portrait. 
653 |a Representation. 
653 |a Subject. 
710 2 |a Project Muse. 
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