Allusion as narrative premise in Brahms's instrumental music /

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Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Sholes, Jacquelyn (Author)
Format: Electronic eBook
Language:Inglés
Published: Bloomington, Indiana : Indiana University Press, [2018]
Series:Musical meaning and interpretation.
Subjects:
Brahms, Johannes, > 1833-1897 > Criticism and interpretation.
Brahms, Johannes, > 1833-1897. > Instrumental music.
Brahms, Johannes, > 1833-1897
Instrumental music (Brahms, Johannes)
Instrumental music > Germany > History and criticism.
Musique instrumentale > Allemagne > Histoire et critique.
MUSIC > Musical Instruments > General.
MUSIC > Printed Music > Band & Orchestra.
MUSIC > History & Criticism.
Instrumental music
Germany
Criticism, interpretation, etc.
Online Access:Texto completo
Table of Contents:
  • The notion of allusion as narrative premise in Brahms's instrumental music
  • Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical
  • Meaning in the B-major piano trio, op. 8
  • Musical memory and the D-major serenade, op. 11
  • An historical model, an emerging soloist, a young composer in turmoil: the piano
  • Concerto in D minor, op. 15
  • A later example: tragic antiquarianism in Brahms's fourth symphony.

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