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Unnamable : the ends of Asian American art /
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way f...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
New York University Press,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Min, Susette S., |e author. | |
| 245 | 1 | 0 | |a Unnamable : |b the ends of Asian American art / |c Susette Min. |
| 264 | 1 | |a New York : |b New York University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (v, 259 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: lingering thoughts on the last Asian American exhibition in the whole entire world -- Unnamable encounters: a phantom history of multicultural and Asian American art exhibitions, 1990-2008 -- Formal actions: reevaluating the "cultural work" of Tehching Hiseh, Byron Kim, and Simon Leung -- Gleaning the art practices of Simon Leung and Mary Lum -- The vanishing acts of Nikki S. Lee and Tehching Hsieh. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed May 14, 2018). | |
| 520 | |a Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen--its greater visibility--and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.--ProQuest | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Asian American art |x Themes, motives. | |
| 650 | 0 | |a Asian American art |v Exhibitions. | |
| 650 | 0 | |a Curatorship. | |
| 650 | 6 | |a Art américain (asiatique) |x Thèmes, motifs. | |
| 650 | 6 | |a Art américain (asiatique) |v Expositions. | |
| 650 | 6 | |a Conservation. | |
| 650 | 7 | |a ART |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a Asian American art. |2 fast |0 (OCoLC)fst00818564 | |
| 650 | 7 | |a Curatorship. |2 fast |0 (OCoLC)fst01893397 | |
| 655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
| 776 | 0 | 8 | |i Print version: |a Min, Susette S. |t Unnamable. |d New York : New York University Press, [2018] |w (DLC) 2016047747 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gk08rv |z Texto completo |
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