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Music of the highest class : elitism and populism in antebellum Boston /
"There is a fundamental duality in American musical culture between classical music and vernacular music: the classical canon of great musical works seems to be surrounded by an aura of respectability that gives it a special mystique. In this book Michael Broyles examines this duality from a so...
| Cote: | Libro Electrónico |
|---|---|
| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
New Haven :
Yale University Press,
©1992.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Ch. 1. Boston's Place in the American Musical World
- Ch. 2. Sacred-Music Reforms in Colonial and Federal America
- Ch. 3. Lowell Mason: Hymnodic Reformer
- Ch. 4. Class and Concert Life in Early Nineteenth-Century Boston
- Ch. 5. Private Music Making and Amateur Musical Organizations
- Ch. 6. Crisis in Secular Concert Activity: Disputes and Divergences
- Ch. 7. Samuel Eliot and the Boston Academy of Music
- Ch. 8. Romanticism and Transcendentalism
- Ch. 9. Developments of the 1840s: Retraction
- Ch. 10. Bands, Opera, Virtuosi, and the Changing of the Guard
- Ch. 11. Boston and Beyond
- Appendix 1: Instrumental Musicians in Boston, 1796-1842
- Appendix 2: Individual List of Instrumental Musicians in Boston, 1796-1842.