Creative union : the professional organization of Soviet composers, 1939-1953 /

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"Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answ...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Tomoff, Kiril
Format: Électronique eBook
Langue:Inglés
Publié: Ithaca, N.Y. : Cornell University Press, 2006.
Collection:Cornell scholarship online.
Sujets:
Goria, A.
Soi͡uz kompozitorov SSSR > History.
Soiuz kompozitorov SSSR.
Soi͡uz kompozitorov SSSR
Sojuz Kompozitorov SSSR
Sovetskaja Associacija Meždunarodnogo Prava
Music and state > Soviet Union.
Musicians > Labor unions > Soviet Union.
Music > Soviet Union > History and criticism.
Musique > Politique gouvernementale > URSS.
Musiciens > Syndicats > URSS.
Musique > URSS > Histoire et critique.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
Music
Music and state
Musicians > Labor unions
Berufsverband
Komponist
Componisten.
Vakverenigingen.
Soviet Union
Sowjetunion
Sovjet-Unie.
Criticism, interpretation, etc.
History
Accès en ligne:Texto completo
Table des matières:
  • The formation of the Composers' Union, 1932-41
  • Administering the creative process
  • Composers on the march, 1941-45
  • Zhdanovshchina and the Ogolevets affair
  • Brouhaha! : party intervention and professional consolidation, 1948
  • Anticosmopolitanism and the music profession, 1949-53
  • The results of party intervention
  • Muzfond, royalties, and popularity
  • Elite hierarchies
  • "Most respected comrade
  • " : informal networks in the Stalinist music world.

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