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Savage sight/constructed noise : poetic adaptations of painterly techniques in the French and American avant-gardes /
"This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill, N.C. :
U.N.C. Dept. of Romance Languages,
2003.
|
| Colección: | North Carolina studies in the Romance languages and literatures ;
no. 276. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sweet, David LeHardy, |d 1961- | |
| 245 | 1 | 0 | |a Savage sight/constructed noise : |b poetic adaptations of painterly techniques in the French and American avant-gardes / |c by David LeHardy Sweet. |
| 264 | 1 | |a Chapel Hill, N.C. : |b U.N.C. Dept. of Romance Languages, |c 2003. | |
| 300 | |a 1 online resource (318 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 490 | 1 | |a North Carolina studies in the Romance languages and literatures ; |v number 276 | |
| 504 | |a Includes bibliographical references (pages 283-291). | ||
| 505 | 0 | 0 | |g Ch. I. |t Guillaume Apollinaire -- |g Ch. II. |t Pierre Reverdy -- |g Ch. III. |t Andre Breton -- |g Ch. IV. |t Frank O'Hara -- |g Ch. V. |t John Ashberry. |
| 520 | 1 | |a "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States." | |
| 520 | 8 | |a "Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Apollinaire, Guillaume, |d 1880-1918 |x Knowledge |v Art. |
| 600 | 1 | 0 | |a Reverdy, Pierre, |d 1889-1960 |x Knowledge |v Art. |
| 600 | 1 | 0 | |a Breton, André, |d 1896-1966 |x Knowledge |v Art. |
| 600 | 1 | 0 | |a O'Hara, Frank, |d 1926-1966 |x Knowledge |v Art. |
| 600 | 1 | 0 | |a Ashbery, John, |d 1927-2017 |x Knowledge |v Art. |
| 600 | 1 | 1 | |a Ashbery, John, |d 1927-2017 |x Knowledge |v Art. |
| 600 | 1 | 1 | |a O'Hara, Frank, |d 1926-1966 |x Knowledge |v Art. |
| 600 | 1 | 1 | |a Breton, Andre, |d 1896-1966 |x Knowledge |v Art. |
| 600 | 1 | 1 | |a Reverdy, Pierre, |d 1889-1960 |x Knowledge |v Art. |
| 600 | 1 | 1 | |a Apollinaire, Guillaume, |d 1880-1918 |x Knowledge |v Art. |
| 600 | 1 | 6 | |a Apollinaire, Guillaume, |d 1880-1918 |x Et l'art. |
| 600 | 1 | 6 | |a Reverdy, Pierre, |d 1889-1960 |x Et l'art. |
| 600 | 1 | 6 | |a Breton, André, |d 1896-1966 |x Et l'art. |
| 600 | 1 | 6 | |a O'Hara, Frank, |d 1926-1966 |x Et l'art. |
| 600 | 1 | 6 | |a Ashbery, John |x Et l'art. |
| 600 | 1 | 7 | |a Apollinaire, Guillaume, |d 1880-1918 |2 fast |0 (OCoLC)fst00027653 |
| 600 | 1 | 7 | |a Ashbery, John, |d 1927-2017 |2 fast |0 (OCoLC)fst01427403 |
| 600 | 1 | 7 | |a Breton, André, |d 1896-1966 |2 fast |0 (OCoLC)fst00052353 |
| 600 | 1 | 7 | |a O'Hara, Frank, |d 1926-1966 |2 fast |0 (OCoLC)fst00033933 |
| 600 | 1 | 7 | |a Reverdy, Pierre, |d 1889-1960 |2 fast |0 (OCoLC)fst00015605 |
| 600 | 1 | 7 | |a Apollinaire, Guillaume |d 1880-1918 |2 gnd |
| 600 | 1 | 7 | |a Ashbery, John |d 1927-2017 |2 gnd |
| 600 | 1 | 7 | |a Breton, André |d 1896-1966 |2 gnd |
| 600 | 1 | 7 | |a O'Hara, Frank |d 1926-1966 |2 gnd |
| 600 | 1 | 7 | |a Reverdy, Pierre |d 1889-1960 |2 gnd |
| 600 | 1 | 7 | |a Apollinaire, Guillaume. |2 swd |
| 600 | 1 | 7 | |a Reverdy, Pierre. |2 swd |
| 600 | 1 | 7 | |a Breton, André |2 swd |
| 600 | 1 | 7 | |a O'Hara, Frank. |2 swd |
| 600 | 1 | 7 | |a Ashbery, John. |2 swd |
| 650 | 0 | |a French poetry |y 20th century |x History and criticism. | |
| 650 | 0 | |a Art and literature |z France |x History |y 20th century. | |
| 650 | 0 | |a Art and literature |z United States |x History |y 20th century. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z France. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z United States. | |
| 650 | 6 | |a Poésie française |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Art et littérature |z France |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Art et littérature |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Avant-garde (Art) |z France. | |
| 650 | 6 | |a Avant-garde (Art) |z États-Unis. | |
| 650 | 7 | |a POETRY |x Continental European. |2 bisacsh | |
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| 650 | 7 | |a Art and literature. |2 fast |0 (OCoLC)fst00815400 | |
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| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
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| 650 | 7 | |a Malerei |g Motiv |2 gnd | |
| 650 | 7 | |a Avantgardeliteratur |2 gnd | |
| 650 | 7 | |a Ekphrasis |2 gnd | |
| 650 | 7 | |a Französisch |2 gnd | |
| 650 | 7 | |a Poetik |2 gnd | |
| 650 | 1 | 7 | |a Gedichten. |2 gtt |
| 650 | 1 | 7 | |a Avant-garde. |2 gtt |
| 650 | 1 | 7 | |a Schilderkunst. |2 gtt |
| 651 | 7 | |a Französisch. |2 swd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Art. |2 fast |0 (OCoLC)fst01423702 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Sweet, David LeHardy, 1961- |t Savage sight/constructed noise. |d Chapel Hill, N.C. : U.N.C. Dept. of Romance Languages, 2003 |z 0807892815 |w (DLC) 2003044214 |w (OCoLC)52377556 |
| 830 | 0 | |a North Carolina studies in the Romance languages and literatures ; |v no. 276. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5149/9781469638522_sweet |z Texto completo |
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