Engendering an avant-garde : the unsettled landscapes of Vancouver photo-conceptualism /

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A comprehensive examination of the origins of Vancouver photo-conceptualism. The book employs discourse analysis, feminist critique and settler-colonial theory to analyse the landscapes of Jeff Wall, Ian Wallace, Marian Penner Bancroft, Liz Magor and others.

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Modigliani, Leah, 1970- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Manchester : Manchester University Press, 2018.
Collection:Rethinking art's histories.
Sujets:
1900-1999
Photography > British Columbia > Vancouver > History > 20th century.
Avant-garde (Aesthetics) > British Columbia > Vancouver > History > 20th century.
Photography, Artistic > Philosophy > 20th century.
Photographic criticism.
Neo-geo (Art)
Photography, Artistic.
Photographie artistique.
Néo-Géo.
Critique photographique.
Photographie artistique > Philosophie > 20e siècle.
Photographie > Colombie-Britannique > Vancouver > Histoire > 20e siècle.
art photography.
Neo-Geo.
COMPUTERS > Digital Media > Photography.
PHOTOGRAPHY > Reference.
TECHNOLOGY & ENGINEERING > Imaging Systems.
ART > History > General.
Photography, Artistic > Philosophy.
Photography.
Avant-garde (Aesthetics)
British Columbia > Vancouver.
History.
Accès en ligne:Texto completo
Table des matières:
  • Jeff Wall's Picture for Women (1979) and The Destroyed Room (1978): colonizing the space of gendered discourse
  • Emily Carr and the legacy of Commonwealth modernism
  • Myth and the 'home culture concept'
  • Establishing the theory and practice of a defeatured landscape
  • 1970s and the gendered spaces of the counter tradition
  • Feminist theoretical and visual challenges to modernist representation
  • Conclusion.

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