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Screening the Paris suburbs : from the silent era to the 1990s /
This expansive study brings to light a neglected history of suburban Paris as seen and reimagined by French filmmakers before the emergence of the 'film de banlieue'.
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2018.
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| Colección: | Manchester Film Studies
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title page; Copyright page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Introduction; 1 On the origins of the banlieue film, 1930-80; 2 Lumière, Méliès, Pathé and Gaumont: French filmmaking in the suburbs, 1896-1920; 3 Roads, rivers, canals: spaces of freedom from Epstein to Vigo; 4 The banlieue in French cinema of the 1930s; 5 Julien Duvivier and inter-war 'banlieutopia'; 6 Margins and thresholds of French cinema: Ménilmontant, Le Sang des bêtes, Colloque de chiens; 7 Georges Franju and the grotesque genius of the banlieue; 8 Tati, suburbia and modernity.
- 9 A crucible of emotions: Maurice Pialat's L'Amour existe10 Godard's suburban years; 11 The banlieue wore black: post-war French polar, from Becker to Corneau; 12 Erasing the suburbs: the grands ensembles in documentary film and television, 1950-80; 13 Elusive happiness: screening France's new towns after 1968; 14 Towers of evil: Jean-Claude Brisseau; 15 What's left of the 'red suburb'? Hervé Le Roux's Reprise as case study; Index; Plates.